Nathaniel Thomas Wilson grew up in Corona, Queens, and was pulled into Marley Marl's Juice Crew as a teenager after the producer heard his demo, released in 1986 as 'It's a Demo.' As one half of Kool G Rap & DJ Polo he became known for a rapid-fire, multisyllabic rhyme scheme and mob-movie street narratives that helped invent mafioso rap. Albums like Road to the Riches (1989) and Wanted: Dead or Alive (1990) made him a rapper's rapper — critics and peers alike point to him as a direct technical template for the dense, narrative-driven East Coast MCs, Nas and the Notorious B.I.G. among them, who came up right behind him.
Asked to break down the mix of MCs he says he became 'the embodiment of,' Kool G Rap has credited Grandmaster Caz specifically with the storytelling — the Cold Crush Brothers legend's narrative rhyme instinct shaped G Rap's own turn toward character-driven verses.
listen forHear Grandmaster Caz's narrative party rhyme 'Weekend' and then Kool G Rap's breakout 'It's a Demo' — both build a verse like a story with a beginning, middle, and punchline rather than a string of boasts.
Kool G Rap has said that dealing with 'real life issues, street life in particular' in his lyrics traces back to Melle Mel — Mel's turn from party rhymes toward reportage on poverty and drugs opened the door for G Rap's own street narratives.
listen forPut Melle Mel's drug-and-poverty account 'White Lines (Don't Don't Do It)' next to Kool G Rap's 'Streets of New York,' a block-by-block survey of hustling and violence in that same reportorial, no-glamour register.
Kool G Rap has said Kool Moe Dee is where he got both his speed and the sense that fast, technical rapping should also 'sound intelligent' on record — sharp, purposeful writing rather than just fast talking.
listen forPlay the rapid trade-off verses on the Treacherous Three's 'The New Rap Language' next to Kool G Rap's 'Wanted: Dead or Alive' — the words arrive in the same dense, fast-clipped bursts.