tributary

Big L

Big L
sourcesWikipedia

Lamont Coleman was a Harlem prodigy whose 1995 debut Lifestylez ov da Poor & Dangerous established him as one of the sharpest technical rappers of his generation, prized for dense wordplay and a dry, deadpan sense of humor even on the grimmest material. He co-founded Children of the Corn with a young Cam'ron and Mase and was closing a major-label deal when he was shot and killed in Harlem in February 1999 at age 24, a death that only deepened his cult reputation among rap purists.

the sound in question
1994
Put It OnBig L
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Rakim1980s · Hip hop / East Coast hip hop / Jazz rap

Big L came up idolizing Rakim's technical mastery, and Big L's own internal-rhyme-dense, unhurried delivery is widely understood as an extension of the complex-rhyme template Rakim pioneered.

listen: upstream & here
1987
Paid in FullRakim
2000
EbonicsBig L

listen forCompare Rakim's "Paid in Full" to Big L's "Ebonics": both stack intricate internal rhymes into a calm, unhurried cadence that never has to raise its voice to prove its skill.

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Kool G Rap1980s · Hip hop / Mafioso rap / East Coast hip hop

Big L is widely described as drawing on Kool G Rap's rapid-fire, crime-laced technical style, sharpening it into the punchline-dense street narratives that defined his own debut album.

listen: upstream & here
1989
Road to the RichesKool G Rap
1995
8 Iz EnuffBig L

listen forSet Kool G Rap's "Road to the Riches" beside Big L's "8 Iz Enuff": both cram elaborate street narration into breathless, technically demanding verses.

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Big Daddy Kane1980s · East Coast hip-hop / Golden age hip-hop

Big L has named Big Daddy Kane among the golden-era rappers who shaped his sense of flow, and Kane's rapid, confident technical rapping is audible in the effortless-sounding density of L's own verses.

listen: upstream & here
1988
Ain't No Half-Steppin'Big Daddy Kane
2000
MVPBig L

listen forPlay Big Daddy Kane's "Ain't No Half-Steppin'" next to Big L's "MVP": both showcase a rapper flexing pure technical speed and confidence as the whole point of the song.

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