Born in Poteet, Texas in 1952, George Strait modeled his career after the honky-tonk and Western swing traditions he grew up on, debuting with 1981's "Unwound" and going on to log more number-one country singles than any artist in history. Nicknamed "King George," his understated, twang-forward vocal delivery and traditional Texas dancehall arrangements made him the standard-bearer for neotraditional country through the 1980s and beyond.
Strait's early records leaned on toned-down Western swing arrangements straight out of the Bob Wills songbook — his 1984 hit "Right or Wrong" is itself a cover of a tune Wills had made a Texas dancehall standard.
listen forPlay Wills's "New San Antonio Rose" and then Strait's "Right or Wrong" — same easy Texas shuffle and dancehall swing, just filtered through a smaller honky-tonk band.
Strait has said he always wanted a career like Merle Haggard's, and Haggard's Bob Wills tribute album is credited with steering young Strait toward Western swing in the first place. The unadorned, working-class shuffle of Haggard's records runs through Strait's uptempo dancehall cuts.
listen forSet Haggard's "Mama Tried" against Strait's "The Fireman" — both keep the arrangement lean and let a steady, unhurried honky-tonk backbeat do the work.
Strait has named George Jones as one of the two singers whose career he most wanted to emulate. Jones's tradition of narrative, character-driven honky-tonk songwriting surfaces in Strait's story-songs.
listen forHear how Jones's "He Stopped Loving Her Today" tells its whole story through one devastating twist, then listen for the same device — a barroom pickup line turned life story — in Strait's "The Chair."