photo: dod news (photo by ej hersom) · cc by 2.0 ↗Blake Tollison Shelton grew up in the small town of Ada, Oklahoma, learning guitar from his uncle before he was a teenager and moving to Nashville the week after high school graduation. Years of demo work and a publishing deal led to a 1997 production contract brokered by songwriter Bobby Braddock, but it was 2001's 'Austin' — a five-week No. 1 debut single — that made him an overnight country star with a deliberately old-fashioned sound: warm baritone, storytelling verses, steel guitar. Albums like 'The Dreamer' and 'Red River Blue' kept him a hitmaking fixture through the 2000s and into a run of seventeen straight No. 1 singles in the 2010s, while a coaching chair on NBC's 'The Voice' beginning in 2011 turned him into one of country music's most recognizable television personalities.
Shelton has called Twitty 'one of my all-time favorite country singers,' praising how his catalog was 'kind of all over the place' from one record to the next while 'he kept it exciting' — a restlessness Shelton says he tries to bring to his own albums, changing direction from one release to the next. Shelton's cover of Twitty's 'Goodbye Time' became his fourth Top 10 hit in 2004, a direct, credited homage rather than a distant echo.
listen forListen to Twitty's original 'Goodbye Time' against Shelton's version — Shelton keeps the song's slow-burning, string-laced arrangement nearly intact, a rare case of a descendant covering the influence's own record almost note for note.
Shelton has called Conley his hero, admitting that when he first moved to Nashville he listened to him obsessively, rehearsing Conley's songs alone in his apartment while trying to teach himself to sing. At the 2014 CMA Awards, accepting Male Vocalist of the Year, he name-checked Conley from the stage as 'an incredible vocalist' he felt was underrated, and in 2002 Conley co-wrote Shelton's own early single 'All Over Me.'
listen forPlay 'Fire and Smoke' next to 'The Baby' — both hold back a big, showy vocal in favor of a warm, conversational delivery that only opens up into small dynamic swells right where the lyric turns emotional.
Shelton has repeatedly called Strait 'my hero on lots of different levels,' saying 'I want to do everything like George Strait' and crediting him with a lesson he's carried through his own catalog: 'he's always stayed true to himself but made new different-sounding records... I've taken note of that.' In 2025 Shelton released 'Texas,' a single built as a direct tip of the hat to Strait's own honky-tonk classics.
listen forCompare 'Amarillo by Morning' with 'Ol' Red' — both ride a loose, mid-tempo shuffle built for a two-step, with a plainspoken narrator and just enough fiddle and steel to keep the arrangement feeling like a Texas dancehall rather than a radio single.