photo: tabercil · cc by-sa 3.0 ↗A rockabilly bandleader out of Fayetteville, Arkansas, Ronnie Hawkins built his name less on original songwriting than on sheer stage force -- a raucous, acrobatic showman who ran his backing band, the Hawks, through a punishing bar-circuit apprenticeship across the American South and, from 1958 on, Ontario. He never became a major recording star himself, charting only a handful of rockabilly and R&B covers in the late 1950s and early '60s, but his real legacy is the group he assembled and trained: Levon Helm, Robbie Robertson, Rick Danko, Richard Manuel, and Garth Hudson, who eventually left him to back Bob Dylan and then became The Band.
Hawkins took Chuck Berry's 1955 single "Thirty Days" and, without much subtlety, doubled its title and lyric to build his own first nationally charted single -- a direct, openly acknowledged lift that shows how thoroughly he built his early repertoire out of covering and reworking the R&B and rock and roll sides coming out of Chess and Sun.
listen forBerry sings a wronged lover's ultimatum over his signature chugging guitar boogie; Hawkins keeps the same chord changes and complaint but pushes the tempo up and roughens his vocal into a rockabilly holler, turning Berry's cool defiance into full-tilt roadhouse mania.
Hawkins built "Who Do You Love?" into a signature showstopper of his own live sets, keeping the boasting, hoodoo-flecked lyrics and stop-time riff Bo Diddley had introduced on Checker Records in 1956; it became one of the songs most identified with Hawkins and the Hawks' stage act well into the 1960s.
listen forDiddley half-speaks, half-sings a string of surreal boasts over his trademark stuttering "Bo Diddley beat"; Hawkins keeps that same call-and-response swagger but adds his own manic ad-libs and stage patter, stretching the song into a vehicle for the Hawks to show off.
Hawkins shared a stage with Hank Williams as a boy in Arkansas -- Williams was reportedly too drunk to perform and had the Drifting Cowboys invite audience members up to sing in his place -- and decades later paid full tribute with the 1960 Roulette album Ronnie Hawkins Sings the Songs of Hank Williams, twelve Williams compositions cut with Nashville session players and Levon Helm on drums.
listen forWilliams sings his own weary, yodel-streaked heartbreak plain and unhurried over pedal steel; Hawkins's version keeps the same aching melody and honky-tonk backing but roughens his phrasing, exposing the country foundation underneath his rockabilly-and-soul persona.