Ella Yelich-O'Connor emerged from Auckland, New Zealand as Lorde, rewriting teenage pop stardom on her own minimalist terms: 2013's Pure Heroine paired a deadpan, low alto voice with spare, bass-heavy electropop production and lyrics that picked apart celebrity excess from the outside looking in. Melodrama (2017) opened that sound into widescreen synth-pop drama, and she's kept restlessly reinventing across Solar Power (2021) and Virgin (2025). Across every era she's remained an unusually hands-on songwriter-producer voice inside a genre built on committees.
Lorde has said her first-ever concert, at 13, was Bon Iver's self-titled second album tour, calling it 'such a major spiritual experience,' and she lists Justin Vernon among her formative influences; he later co-produced an early draft of a Virgin track with her (a version she ultimately reworked). His hushed, texture-first vocal approach and hazy, spacious production map onto her own quieter, atmosphere-over-hooks instincts.
listen forPut Bon Iver's 'Holocene' next to Lorde's 'Liability' — both strip an aching melody down to close-mic'd vocal, sparse piano, and negative space, trusting silence to carry as much weight as the notes.
Lorde has named Kanye West among her direct inspirations, and by her own account she wrote Pure Heroine after a stretch of listening heavily to rap and pop that traded in opulence — she's said 'the rapper to whom I most relate is Kanye West,' admiring how singularly he pursues his own vision. Royals grew directly out of that listening, answering the genre's luxury signifiers with a flat, deadpan rejection of them.
listen forPlay Kanye's maximalist, siren-blaring 'Power' against Lorde's 'Royals' — same total self-assurance and declarative hook-writing, but Lorde strips away every ounce of the orchestration and opulence Kanye piles on.
Lorde kept a framed photo of Robyn in the studio while making Melodrama, and coverage of the album has repeatedly pointed to the Swedish pop auteur's emotionally naked dance-floor songwriting — crying while dancing, heartbreak set to a beat — as a direct template for Melodrama's arc; Robyn's own Wikipedia legacy entry names Lorde among artists she influenced.
listen forSet Robyn's 'Dancing On My Own' against Lorde's 'Supercut' — both are propulsive, synth-driven pop songs about replaying a relationship in your head, using the rush of the beat to carry lyrics that are actually about being alone with the memory.