photo: justin higuchi · cc by 2.0 ↗Gracie Abrams, born in Los Angeles in 1999 to filmmaker J.J. Abrams, began writing songs as a child and quietly posting them online before signing to Interscope in 2019 and releasing her debut EP 'Minor' in 2020. Her early work built a following around hushed, diary-like confessions set to sparse guitar and muted electronics, a bedroom-intimate strain of indie pop. She reached a far wider audience opening Taylor Swift's Eras Tour, and her 2024 album 'The Secret of Us' — home to 'Risk' and the crossover hit 'That's So True' — pushed that whispered confessional style toward brighter, hookier pop.
Abrams names Taylor Swift among her formative influences and has spoken of belonging to Swift's fanbase; she opened Swift's Eras Tour in 2023-24 and later shared the duet 'Us' with her. In her own songs the debt is in the writing: verse-heavy, hyper-specific narrative confessions that pile concrete, everyday detail into a slow-building emotional reveal, following the diaristic template Swift popularized.
listen forThrow on Swift's 'All Too Well' and listen to how the long bridge stacks tiny remembered details until the hurt lands; then hear Abrams do the same on 'I Love You, I'm Sorry,' spinning an apology out of granular, scene-by-scene recollection.
Abrams has called Phoebe Bridgers 'the writer of our generation' and has said she followed Bridgers since she was a thirteen-year-old with a SoundCloud account. You hear it in the delivery: a close-mic'd, near-whispered vocal and a flat, deadpan candor riding sparse guitar that gradually swells, the sad-girl indie register Bridgers helped define.
listen forCue Bridgers' 'Motion Sickness' and catch the way her hurt is sung almost conversationally over a steady strum; then play Abrams' 'Risk,' where breathy, muttered verses tighten and lift into a bigger, aching chorus built the same way.
Abrams counts Lorde among her named influences, and the mark shows up in her production and point of view: skeletal, snap-sparse beats that leave wide open space, paired with a hushed, teenage-diary interiority that suddenly opens out into a roomy, layered vocal swell.
listen forPlay Lorde's 'Ribs' and notice how the beat stays minimal while the vocal multiplies into an anxious swell about growing up; then hear 'That's So True' ride a similarly stripped, pulsing minimalism before its chorus blooms.