photo: david shankbone · public domain ↗Kanye West rewired 2000s hip-hop production around chipmunk-pitched soul samples before spending the rest of his career refusing to repeat himself, lurching from the maximalist orchestral rap of My Beautiful Dark Twisted Fantasy to the abrasive industrial minimalism of Yeezus. A Chicago producer turned reluctant pop star, he built his name ghostwriting and beat-making for Roc-A-Fella before forcing his way to the mic himself. Divisive as a public figure, he remains one of the most structurally influential producer-rappers of his generation.
West has named Michael Jackson among his core early influences, and his own chart ambitions and showmanship instincts were shaped by Jackson's model of pop maximalism; West's 'Good Life' builds its hook directly around a sample of Jackson's 'P.Y.T. (Pretty Young Thing).'
listen forPlay Michael Jackson's 'Billie Jean' next to Kanye's 'Good Life' — listen for the sampled Jackson vocal snippet woven directly into West's beat, a lineage made audibly literal.
West has named A Tribe Called Quest among his early influences, and their jazz-sampling, soul-warmed approach to boom-bap is a clear precedent for the chipmunk-soul, sample-flipping production style West built his early career on.
listen forPlay A Tribe Called Quest's jazzy 'Excursions' next to Kanye's soul-looped 'Spaceship' — both float a rapper's voice over a warm, chopped-up jazz-and-soul sample instead of a harder drum-machine attack.
West has cited Public Enemy among his formative influences, and the confrontational, politically charged intensity of the Bomb Squad's production is an audible ancestor of West's own noisiest, most abrasive records.
listen forPlay Public Enemy's siren-laced 'Fight the Power' next to Kanye's industrial-scraping 'Black Skinhead' — both weaponize noise and repetition into something closer to a political rally than a pop song.