tributary

Duane Eddy

A teenage guitarist in Phoenix, Arizona, Duane Eddy and producer Lee Hazlewood invented the "twang" -- playing simple melodies on a guitar's lowest strings through a giant water-tank echo chamber -- and rode it to a run of instrumental hits beginning with 1958's "Rebel Rouser." Eddy became rock and roll's first genuine guitar star before the British Invasion, and his echo-drenched, minimalist style was absorbed wholesale by a generation of guitarists from Hank Marvin to George Harrison.

the sound in question
1958
Rebel RouserDuane Eddy
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Chet Atkins1960s · Country / Nashville sound / Instrumental country

Eddy has said he was drawn to the sounds of Chet Atkins and Les Paul as a teenager before working out his own signature low-string "twang," developed in part because he was tired of hearing the same high-string rock and roll licks everyone else was playing.

listen: upstream & here
1954
Mr. SandmanChet Atkins
1958
CannonballDuane Eddy

listen for"Cannonball" keeps the melody down on the wound strings the way Atkins' fingerstyle records did, just simplified into single-note lines and pushed through tape echo instead of Atkins' cleaner Nashville tone.

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Les Paul1950s · Pop / Jazz / Instrumental rock

Eddy has named Les Paul as an early inspiration, and producer Lee Hazlewood's layered, heavily echoed production on Eddy's records -- overdubbed saxophone, vocal-group "yells," and multiple echo chambers stacked on a single guitar line -- extended the multitrack, effects-forward studio approach Paul had pioneered a decade earlier.

listen: upstream & here
1951
How High the MoonLes Paul
1959
Peter GunnDuane Eddy

listen forListen to how thickly produced "Peter Gunn" is under Eddy's simple guitar line -- saxophone, handclaps, and layered echo all stacked around it -- the same appetite for studio-built texture Paul first proved commercial on multi-tracked records like "Lover."

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Gene Autry1930s · Country / Western / Singing cowboy

Eddy has said he first picked up a guitar at age five after hearing singing cowboy Gene Autry, and the open, western-plains quality of Autry's music stayed with him -- Eddy's records carry the same wide-open, cowboy-movie space, just filled with guitar twang instead of a singing voice.

listen: upstream & here
1939
Back in the Saddle AgainGene Autry
1958
RamrodDuane Eddy

listen for"Ramrod" leans into a loping, western gait and wide-open sonic space that echoes the singing-cowboy soundtracks Eddy grew up on, even though the sound itself -- tremolo guitar, sax, tape echo -- is pure 1958 rock and roll.

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