photo: flickr user underclassrising.net · cc by-sa 2.0 ↗Formed in Sheffield in 1973 by Stephen Mallinder, Richard H. Kirk, and Chris Watson — years before punk gave British electronic experimentalists an audience — Cabaret Voltaire built DIY tape loops, treated instruments, and cut-up techniques borrowed from Dada and William Burroughs into some of the earliest British industrial music, later steering that same machine toward the dancefloor as electro, house, and techno took shape. Singles like "Nag Nag Nag" (1979), "Yashar" (1982), and "Sensoria" (1984) trace the arc from confrontational noise collage to a stark, funk-inflected electronic sound that made them one of the most quietly influential acts in the transition from industrial music to dance music.
Cabaret Voltaire have directly cited Kraftwerk as an influence, singling out Trans-Europe Express as an early forerunner of the sound they were reaching for with tape loops and cheap synthesizers in a Sheffield attic.
listen forListen for a stark, mechanical pulse holding the track together while noise, voice, and texture swirl around it — Cabaret Voltaire took Kraftwerk's premise that a machine rhythm could be a track's whole foundation and roughed it up with tape hiss and cut-up vocals.
The band has cited the Velvet Underground's The Velvet Underground & Nico and White Light/White Heat as direct influences — the latter's extended noise-drone excursions in particular gave Richard Kirk and Chris Watson a template for how far a rock recording could push distortion and repetition before it stopped resembling rock music at all.
listen forListen for a hypnotic, droning repetition pushed past comfort into abrasive noise — the same escalating wall of distortion the Velvet Underground rode out on "Sister Ray" resurfaces, electronically retooled, in Cabaret Voltaire's most abrasive early tracks.
Cabaret Voltaire have named the German krautrock band Can, alongside Kraftwerk and Neu!, among their influences — Can's hypnotic, groove-locked improvisations around a single repeated riff offered a rhythmic discipline that the Sheffield trio applied to their own tape-loop constructions.
listen forListen for a hypnotic, repetitive groove built around a single riff or bassline that just keeps circling — Can's trance-inducing repetition resurfaces in Cabaret Voltaire's funkier, more dance-oriented later singles.