tributary

Wolfgang Amadeus Mozart

Joseph Haydnphoto: thomas hardy · public domain
Johann Christian Bachphoto: thomas gainsborough · public domain
Johann Sebastian Bachphoto: elias gottlob haussmann · public domain
sourcesWikipedia

Wolfgang Amadeus Mozart was a Salzburg-born child prodigy who toured the courts of Europe before settling in Vienna, where he produced a vast body of symphonies, concertos, operas, and chamber works that came to define the Classical style. His music balanced formal clarity and melodic grace with sudden chromatic depth and operatic drama, and by his death at 35 he had reshaped nearly every genre he touched. He remains the archetype of the Classical-era composer.

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1788
Symphony No. 40 in G minor, K. 550Wolfgang Amadeus Mozart
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Joseph Haydn1780s · Classical

Mozart and Haydn were friends and mutual admirers; Mozart dedicated a set of six string quartets to the older composer, absorbing Haydn's conversational four-part writing and motif-driven development.

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1781
String Quartet Op. 33 No. 2 'The Joke'Joseph Haydn
1785
String Quartet No. 19 'Dissonance', K. 465Wolfgang Amadeus Mozart

listen forThe 'Dissonance' Quartet opens with a famously murky, clashing slow introduction before it resolves into bright, Haydn-style thematic give-and-take among the four instruments.

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Johann Christian Bach1770s · Classical / Galant

As a boy Mozart met Johann Christian Bach in London in 1764-65 and later arranged three of Bach's Op. 5 keyboard sonatas into concertos (K. 107); Bach's singing, galant melodic manner shaped Mozart's own concerto writing.

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1766
Keyboard Sonata Op. 5 No. 3 in G majorJohann Christian Bach
1785
Piano Concerto No. 21 in C major, K. 467, AndanteWolfgang Amadeus Mozart

listen forThe Andante of the 'Elvira Madigan' Piano Concerto floats a serene, vocal melody over gently pulsing strings - the graceful, songful galant style Mozart took from J.C. Bach.

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Johann Sebastian Bach1720s · Baroque / Classical

In his Vienna years Mozart studied Bach's fugues and counterpoint, encountered through Baron van Swieten's salon of old scores, and folded that learned, contrapuntal writing into his late works.

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1704
Toccata and Fugue in D minor, BWV 565Johann Sebastian Bach
1788
Symphony No. 41 'Jupiter', finaleWolfgang Amadeus Mozart

listen forThe finale of the 'Jupiter' Symphony stacks its themes into a dizzying multi-voice fugato - Bachian counterpoint driving a Classical symphony to an exhilarating close.

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