Ayodeji Ibrahim Balogun started making music in a Lagos church at eleven, drawn not to his parents' Fela Kuti records but to Snoop Dogg's; growing up in Ojuelegba, in Lagos's Surulere district, he spent his teens crashing in Wande Coal's room during the Mo'Hits crew's heyday before signing to Empire Mates Entertainment in 2009. His 2010 debut single, "Holla at Your Boy," launched a decade of albums — Superstar, Ayo, Sounds from the Other Side — that steadily thinned Afrobeats's percussion into an airier, melody-forward pop. Made in Lagos (2020) and its Justin Bieber-assisted "Essence" completed that turn, becoming the first Nigerian song into the Billboard Hot 100's Top 10. Reggae and Fela's example, both embraced fully only once he was grown, run underneath it all.
Wizkid's embrace of Fela wasn't inherited in the crib — as a child he found his parents' Fela and King Sunny Ade records incomprehensible, chasing Snoop Dogg instead. The reverence came later, as a working artist, and it runs deep enough that he has Fela's face tattooed across his body. Defending himself in a 2026 spat with Fela's son Seun Kuti, he refused the comparison outright: "Fela is like someone that inspires me... Everything he has done with his music, his legacy, inspires me to be great." He has paid that debt in the studio too, sampling Fela twice — once with Fela's own son Femi supplying the saxophone.
listen forFela's "Lady" rides a spiraling horn vamp built to stretch past ten minutes onstage; Wizkid's "Jaiye Jaiye" lifts that same saxophone line, now played by Fela's son Femi Kuti, and folds it into a tight, three-minute pop chorus. Listen for the horn hook itself crossing eras — Afrobeat's slow-building riff compressed into a radio-length hook, the loose, joyful bounce intact even as the running time shrinks by two-thirds and the political vamp gives way to a straightforward love song.
No influence gets more literal in Wizkid's telling than Wande Coal, the Mo'Hits singer he lived alongside as a teenager breaking into Lagos's music scene. Introducing Coal onstage at a 2021 festival, Wizkid named the exact songs he was recording at the time: "Wande Coal was always there for me. He let me sleep in his room when I had nowhere to go... That's the man that inspired me." Coal has since returned the credit, naming Wizkid among the generation of Nigerian stars who picked up his sound and ran with it.
listen forCoal's 2009 "You Bad" set the template Wizkid was living inside while cutting his own debut single a year later: sung-Yoruba hooks riding a bright, mid-tempo Mo'Hits groove built for the dancefloor and the radio alike. Play it against "Holla at Your Boy" and hear the same unhurried, melodic phrasing over a bouncing, percussion-forward beat — the sound of a teenager's apprenticeship, absorbed while sleeping on his mentor's floor, turned into his own breakout single.
Marley entered Wizkid's ears the same way Fela eventually did — while "growing up," not as a child, when he "started listening to Bob Marley a lot" alongside the reggae and rap he loved. The devotion only deepened: a 2019 songwriting trip to Jamaica, a Made in Lagos feature with Marley's son Damian, and, after watching a Bob Marley stage musical, a stated ambition to build a legacy like his — "I didn't even know that he died at 36. He did so much at a young age. It just reaffirms what I do."
listen for"No Woman, No Cry" rides Marley's unhurried one-drop sway under a lyric of plain, aching devotion. Wizkid's "Joy," from his 2011 debut Superstar, borrows that same chord progression wholesale — critics call it a direct flip — but redirects the tenderness inward, an autobiographical ode to his mother rather than a lover. Listen for the reggae lope surviving the transplant, still carrying the song's warmth into Wizkid's lighter, Lagos-pop frame.