photo: eppmeplix · cc by-sa 4.0 ↗Daniel Oluwatobiloba Anidugbe grew up in Abeokuta, Ogun State, the son of a working musician who filled the house with Fela Kuti and Fuji records and helped fund his teenage son's first studio demos. He signed to G-Worldwide Entertainment in 2013, the year he finished a water-engineering degree, and broke out the next year as Kiss Daniel with 'Woju,' a sing-song Afrobeats hit whose Davido-and-Tiwa-Savage remix helped carry his 2016 debut album 'New Era' to Headies Album of the Year. A bruising contract dispute pushed him out of G-Worldwide in 2017; he founded his own label, Flyboy I.N.C., rebranded as Kizz Daniel in 2018, and kept climbing through 'No Bad Songz' and 'King of Love' to 2022's global smash 'Buga.'
Kizz Daniel has called Wizkid a mentor outright, telling an interviewer, 'I look up to Wizkid, I look up to 2face, I look up to a whole lot of artists in the industry.' The imprint isn't one specific vocal lick so much as a whole approach: singing a hook as a loose, half-improvised melody rather than a rapped or shouted phrase, letting a light, mid-tempo Afrobeats groove carry most of the work underneath.
listen forSet 'Holla at Your Boy' next to 'Cough (Odo)' — both ride an unhurried, conversational vocal that drifts around the beat rather than locking to it, with a simple, repeated hook doing the heavy lifting over a bright, mid-tempo groove.
In the same interview where he named Wizkid a mentor, Kizz Daniel said he also looks up to 2Face — the elder statesman whose Plantashun Boyz-era catalogue he has cited among his formative listening. It surfaces as a taste for the warm, guitar-and-horn-lined romantic ballad: a plainspoken love song delivered tenderly rather than seductively, built to work as a dedication song as much as a radio single.
listen forPlay 'African Queen' against 'Mama' — both wrap a direct, sincere lyric of devotion in a bright, highlife-tinged arrangement of guitar and horns, with a vocal that stays gentle and unhurried even as the hook repeats.
Kizz Daniel's father was himself a working musician who filled their Abeokuta home with Fela Kuti's records, and the connection has stayed visible in Kizz Daniel's career since — he captioned his 2022 FIFA World Cup Fan Festival performance of a Fela Kuti song 'major tribute to Fela Anikulapo Kuti.' The influence shows up obliquely rather than as direct imitation: a fondness for a short, insistent horn-riff hook and a driving, percussive groove built to be chanted back by a crowd.
listen forCompare the tight horn-and-rhythm vamp of 'Zombie' with 'Buga' — both hang the whole track on a short, repeated horn or rhythmic figure over a relentless groove, built for call-and-response with a crowd rather than a verse-chorus structure.