Chukwuka Ekweani grew up in Kaduna State learning piano and arrangement from his church-choir-conducting father, then relocated to Lagos in his late teens to chase a production career under the name CKay. Early singles for Chocolate City, including the gwara-gwara-inflected 'Container,' built him a local following, but it was 2019's plaintive 'Love Nwantiti' that made him a global phenomenon — a TikTok-fueled second life two years later carried its remix to No. 1 on Billboard's Afrobeats chart and past a billion Spotify streams, a first for an African song. He calls his own lane 'Emo-Afrobeats': minor-key chords, warm ambient synths, and confessional, heartbreak-forward lyrics laid over Afrobeats rhythm, pulling the genre's mainstream toward something quieter and more interior than the dancefloor.
Ckay has said plainly that 'Davido showed me that getting plaques with afrobeat songs is possible' — proof, ahead of his own breakout, that a home-grown Afrobeats record could reach the kind of commercial certification usually reserved for Western pop. The two later worked together directly: Ckay featured on Davido's 2020 hit 'La La,' and in 2022 Ckay returned the favor, pulling Davido onto his own 'Watawi.'
listen forPut Davido's 'Fall' beside Ckay's 'Love Nwantiti' — both ride an unhurried, melody-forward Afrobeats groove engineered to loop equally well on Lagos radio and global streaming playlists, chasing chart placement well beyond a single regional scene.
Ckay has credited Wizkid with showing him 'that where you come from doesn't limit how far you can go, no matter your background' — a lesson borne out by Wizkid's own path from Lagos's Ojuelegba neighborhood to global collaborations with Drake and Beyoncé. It's the same arc Ckay's career traced when 'Love Nwantiti,' a modest 2019 Nigerian release, turned into a worldwide, chart-topping hit two years on.
listen forCompare Wizkid's 'Ojuelegba' — a hometown chronicle that became an international anthem after Drake and Skepta remixed it — with Ckay's 'Emiliana,' another unassuming, mid-tempo Afrobeats record that found a second, much bigger life far outside Lagos.
Ckay has said Burna Boy 'showed me that delay is not denial' — Burna's own arc from a mid-2010s slump to his defiant 2018 comeback single 'Ye' and the Grammy-nominated 'African Giant' the next year read, to Ckay, as proof a stalled run doesn't end a career. Ckay's catalogue traces a similar shape, restlessly folding new regional sounds — Amapiano, dancehall — into later singles rather than repeating the formula that first broke him.
listen forSit with Burna Boy's 'Ye,' a chest-out comeback record after a rough patch, next to Ckay's 'Watawi' — a later, genre-blending single that pulls Amapiano and South African guests into an Afrobeats frame, the same restless push past a single sound that defines Burna Boy's own catalogue.