Before Wizkid, Davido, or Burna Boy, there was Wande Coal — the falsetto voice Don Jazzy built Mo'Hits Records around, and the singer whose 2009 debut Mushin 2 Mo'Hits is still cited by Afrobeats' current generation as a founding text. His songs fused American R&B vocal runs and hip-hop swagger with Yoruba melody and Lagos street slang, a template that a decade of Nigerian pop — Ayra Starr included — still works variations on.
Wande Coal named Michael Jackson directly as one of the artists who "inspired me to be what I am today," in a quote also naming Usher, Akon, and T-Pain; the falsetto leaps and vocal ad-libs he layers over Don Jazzy's productions echo Jackson's habit of treating the voice as its own lead instrument riding the groove.
listen forListen for the sudden falsetto leaps and playful vocal ad-libs dropped into the pocket of the beat rather than the main melody — "Rock with You" rides that same technique, and "Taboo" reaches for it over an Afrobeats-inflected bassline.
In the same interview, Wande Coal credited Usher (with Michael Jackson, Akon, and T-Pain) with shaping his artistry as he set out to "fuse both my culture and American culture together"; the crunk-adjacent, dancefloor-built uptempo of "Bumper 2 Bumper" works the same club-R&B blueprint Usher set with "Yeah!"
listen forListen for the tight, syncopated dance groove aimed at a call-and-response crowd rather than headphones, with smooth R&B vocal runs riding over a hip-hop-adjacent beat — both records are built to move a room.
Wande Coal also named Akon (with Michael Jackson, Usher, and T-Pain) as a formative influence in the same quote about fusing Nigerian and American culture; Akon's hook-first, sung-not-rapped crossover style — melody riding a rap-adjacent beat, built for club and radio alike — is the same move Wande Coal makes on his own biggest records.
listen forListen for the simple, instantly-singable top-line hook stated up front and repeated over a spare, hard beat — "You Bad" is built the same way "Locked Up" is, prioritizing an infectious chant over vocal complexity.