Oladapo Oyebanjo grew up in Lagos idolizing Usher and Craig David, and inherited a harmonica from his older brother Femi, who died in a plane crash in the early 1990s — the instrument became his entry point into music. Signed in 2004 as the first act on Don Jazzy's Mo' Hits Records, he became Nigerian pop's 'Koko Master,' and after Wyclef Jean told him 'You are African Michael Jackson,' D'Banj ran with the billing, favoring maximalist showmanship over vocal polish. A 2011 deal with Kanye West's G.O.O.D. Music pushed him toward EDM-pop crossover, and 2012's 'Oliver Twist' became his biggest global hit, cracking the UK top 10.
Wyclef Jean told a young D'Banj 'You are African Michael Jackson,' and D'Banj embraced the 'AMJ' billing at MTV's Road to the MAMAs around 2006 — by his own account, the showmanship-over-technique stage persona and maximalist pop ambition trace straight back to that comparison.
listen forThere's no direct cover or sample at work, but the stagecraft-first energy of Jackson's 'Don't Stop 'Til You Get Enough' and the global, dance-first pop swing of D'Banj's 'Oliver Twist' both sell the song on pure performance charisma.
Nigerian critics and fans routinely reached for Fela Kuti as the reference point for D'Banj's raucous, band-heavy live show; the horn-driven groove and call-and-response hook structure Fela pioneered surfaces compressed into D'Banj's radio-length singles.
listen forFela's rolling horn-and-percussion vamp on 'Zombie' and D'Banj's own brass-flecked tribute single 'Igwe' both build off a call-and-response groove, even as D'Banj trims it to pop length.
By his own account D'Banj aspired to resemble Usher early in his career, and that polished, falsetto-capable R&B crooning surfaces whenever D'Banj drops the comic 'Koko' persona to sing a straight love song.
listen forUsher's plush, vocal-forward 'U Got It Bad' and D'Banj's own seduction single 'Fall in Love' both trade party-starter energy for a slow-jam falsetto.