Spoon formed in Austin, Texas, in 1993 around singer-guitarist Britt Daniel and drummer Jim Eno, taking their name from a song by the German band Can. After a raw, Wire-indebted post-punk start on 'Telephono' and a brief, unhappy major-label detour, they refined a sound built on economy and space: taut rhythm guitar, dry drums, piano stabs, and long stretches where the arrangement leaves gaps for the groove to breathe. 'Kill the Moonlight' (2002) and 'Gimme Fiction' (2005) established them as one of American indie rock's most reliable bands, and 'Ga Ga Ga Ga Ga' (2007) pushed toward soul and horns. Across a decade of consistently acclaimed records they kept paring back, before returning to muscular Austin rock on 2022's 'Lucifer on the Sofa.'
Britt Daniel has repeatedly named Wire as an early lodestar, recalling that the band 'didn't think anything was cooler than Wire' and that Spoon's first records openly chased Wire's clipped, rhythm-guitar-forward attack. What carried through is Wire's principle of subtraction: a song stripped to a riff, a beat, and little else, trusting one tight figure repeated to do the work that a busier arrangement would fumble.
listen forPut Wire's 'Three Girl Rhumba' next to 'Small Stakes' — both circle a single terse guitar-and-keys figure over a stiff, unfussy beat, leaving deliberate empty space instead of filling every bar.
Daniel has called Prince the influence that reigns above all others, a fixation dating back to childhood. The mark is less any single riff than an idea of funk assembled from negative space, plus the nerve to sing in a high, thin falsetto. When Spoon leans on a spare, syncopated groove topped by a breathy vocal, that lineage runs closer to Prince than to any rock reference.
listen forSet 'Kiss' beside 'I Turn My Camera On' — both strip the funk down to a bare drum-and-guitar scratch with a falsetto riding on top, the groove carried by what's left out rather than what's added.
The Stones surface most on Spoon's later, rootsier work. Daniel cited the compilation 'Hot Rocks' as a favorite, and the band is named among the classic-rock touchstones behind 2022's 'Lucifer on the Sofa,' a record made back home in Austin. It shows up as loose, swaggering rhythm-guitar rock and barroom piano — the tight indie economy loosened into something warmer and more physical.
listen forLine up 'Tumbling Dice' with 'Wild' — both roll on a loose, mid-tempo rock groove built from layered rhythm guitars and a big communal chorus, made to sway rather than snap.