photo: brett hammond · cc by 2.0 ↗Richard Walters was born in London, lost sight in one eye to a childhood accident, and grew up in the Bronx telling elaborate stories to entertain himself — a habit he turned into a rap style once Doug E. Fresh recruited him for 1985's ‘La Di Da Di.’ As Slick Rick, ‘The Ruler,’ he built 1988's The Great Adventures of Slick Rick around cinematic, multi-character narratives (Mona Lisa's aloof charm, the doomed morality tale of ‘Children's Story’) delivered in a plummy half-sung cadence that made him one of the clearest bridges between old-school showmanship and hip-hop's coming age of the narrator-rapper.
Rick has said the Cold Crush Brothers “inspired me the most, cuz they had good routines, and they picked good records to rhyme on” — an appreciation for staged, well-arranged performance he carried into his own meticulously constructed story-raps.
listen forThe polished group choreography and crowd-drilled routines Cold Crush built into ‘Punk Rock Rap’ resurface, filtered through Rick's cocky solo-MC voice, on the victory-lap bravado of ‘The Ruler's Back.’
Rick pointed directly to Melle Mel's writing on ‘The Message’ as a model for structuring a rap like an essay — a clean beginning, body and end — the same three-act shape he used to build his own narrative singles.
listen forThe plain-spoken, cautionary arc of ‘The Message’ becomes an even more explicit morality tale in Rick's own beginning-middle-end lecture to the next generation on ‘Hey Young World.’
Asked about his influences, Rick named Busy Bee outright — the crowd-rocking showman whose exaggerated, playful delivery he absorbed before turning it toward fully scripted characters instead of ad-libbed chants.
listen forBusy Bee's playful, cartoonish vocal mugging on ‘Making Cash Money’ turns into a fully written character study — complete with a voice and a personality of her own — on Rick's ‘Mona Lisa.’