Shakira Isabel Mebarak Ripoll grew up in Barranquilla, Colombia, the daughter of a Colombian mother and a father of Lebanese descent, and folded belly-dancing, Arabic melodic inflection, hard-rock guitars, and Colombian rhythm into a single restless pop signature. She broke through across Latin America with the rock-leaning Spanish albums 'Pies Descalzos' (1996) and '¿Dónde Están los Ladrones?' (1998) before her English-language crossover 'Laundry Service' (2001) turned her into a global superstar. Across the 2000s she became one of the best-selling Latin artists of all time, prized for a quavering, unmistakable voice and a fusion sound that refused to sit in any one tradition.
Shakira has repeatedly named The Beatles among the rock acts she devoured as a teenager, and she has tied 'Underneath Your Clothes' directly to that devotion, describing herself as 'so in love with that rock sound.' It surfaces less as imitation than as songwriting instinct — the way one of her ballads climbs on a patient, singable chord progression toward a wide melodic release.
listen forThrow on The Beatles' 'Something' right after — hear how a tender, unhurried verse swells into that aching, wide-open melodic lift? 'Underneath Your Clothes' reaches for the same kind of chord-led ballad climb, holding back before it opens up.
Estefan is both a named inspiration and a pivotal career figure: Shakira's English-language crossover was steered through her partnership with producer Emilio Estefan and his wife Gloria, and Estefan's own blueprint — a Latin-rooted rhythmic core dressed in radio-ready pop — is the template Shakira ran with. You hear it whenever she plants a Colombian or Andean rhythmic hook at the dead center of a global pop record.
listen forPlay Estefan's 'Conga' and its irresistible clave-driven horn party, then 'Whenever, Wherever' — hear how each builds the whole hit around a Latin rhythmic engine, Estefan's conga line answered by Shakira's Andean panpipes and charango churn?
Led Zeppelin sat near the center of the rock diet Shakira has said she absorbed growing up, and their appetite for pairing heavy rock dynamics with Eastern, non-Western scales models the very collision she leans into. Her Arabic melodic sense comes from her own Lebanese heritage, but Zeppelin is a clear precedent for welding that exotic modal color to a pounding rock engine.
listen forCue 'Kashmir' and its lurching, string-swept modal riff, then drop into 'Ojos Así' — hear how both ride a serpentine Eastern-scale melody over relentless rock momentum, the unfamiliar mode and the heavy groove locked tight together?