photo: web summit/ramsey cardy/sportsfile · cc by 2.0 ↗Pharrell Williams spent the 2000s as one half of the Neptunes, the production duo whose skeletal, synth-and-clap beats reshaped mainstream R&B and hip-hop, before stepping out as a solo hitmaker and fashion tastemaker in his own right. His band N.E.R.D. layered live instrumentation and jazz chords over that same futuristic minimalism, and his falsetto singing became nearly as recognizable as his beats. Few producers have shaped the sound of two consecutive decades as thoroughly as he did the 2000s and 2010s.
Pharrell has said outright that he's 'definitely influenced by Stevie Wonder,' pointing specifically to Wonder's snappy, funk-forward basslines and chord sense as a direct model for the Neptunes' sound.
listen forPlay Stevie Wonder's 'Superstition' next to Pharrell and N.E.R.D.'s 'Frontin'' — the same tight, syncopated funk bassline anchoring the whole track, a lick Pharrell has said was directly inspired by Wonder.
Pharrell has named James Brown among his foundational touchstones, and the Neptunes' emphasis on stripped-down, drum-and-bass-forward tracks with almost nothing else in the mix echoes Brown's own less-is-more funk minimalism.
listen forPlay James Brown's horn-and-groove workout 'Papa's Got a Brand New Bag' next to N.E.R.D.'s punk-funk 'Lapdance' — both strip a song down to almost nothing but a relentless, in-the-pocket rhythm.
Pharrell has listed Marvin Gaye among the singers he most admires, and Gaye's silky falsetto and sensual, close-mic'd soul delivery is an audible touchstone whenever Pharrell steps out from behind the boards to sing lead himself.
listen forPlay Marvin Gaye's 'What's Going On' next to N.E.R.D.'s 'Maybe' — both trade in a hushed, high, falsetto-adjacent vocal floating over a warm, unhurried groove.