photo: david bergman · cc by-sa 4.0 ↗Luke Combs grew up around Asheville, North Carolina, singing in church choir and school musicals long before he touched a guitar — the one his parents bought him at twelve sat untouched in his closet until his mother, home from Appalachian State for a bored summer, reminded him it was there. He left college for Nashville in 2014 and co-wrote "Hurricane" three months later; released independently in 2015 and picked up by Columbia Nashville the next year, it launched a run in which every one of his first fifteen singles hit No. 1. He won back-to-back CMA Entertainer of the Year awards, but the record that redefined him covered a song his father played on cassette when Combs was five: Tracy Chapman's "Fast Car."
Combs was five, riding in his father's brown F-150 with a camper top, when a Tracy Chapman cassette gave him one of the first songs he can remember hearing. "I've always been a huge fan of it and think of my dad and our time together when I hear it," he told People. Decades later he recorded a faithful studio cover for 2023's Gettin' Old — never expecting the CMA Award it would win, or the phone call from Chapman herself that followed.
listen forSet Chapman's 1988 original beside Combs' 2023 cover and the arrangement barely moves — the same fingerpicked guitar figure, the same unhurried, conversational phrasing carrying the story of a car meant to be someone's way out. What changes is scale: Chapman sings it like a secret told once; Combs opens his baritone into a full band behind it. The two performed it together at the 2024 Grammys, a night Chapman called "a very emotional moment for so many reasons."
A dorm-mate at Appalachian State handed Combs an Eric Church CD with a simple pitch: this guy went to school here too. "Once I heard Eric, I was like, this is something I can relate to," Combs said of the moment he later described as where "the fire caught spark" to chase country music as a career. The debt surfaced literally in 2019: Combs built "Does to Me" as a hero-tribute duet, admitting he'd consciously modeled it on how Church once brought his own hero, Merle Haggard, in to guest on his debut album.
listen forBoth songs save the guest for last. Church carries the verses of "Pledge Allegiance to the Hag" alone before letting Merle Haggard in near the close — the younger artist ceding the spotlight to the man who mattered most to him. Combs stages the identical handoff on "Does to Me": he sings the song solo until Church slides into the final verse, name-checking "mama's bible" and "Don Williams vinyl." Same structural bow to a hero, one generation apart.
Asked to name the artists he sang along to as a kid, Combs told Garth Brooks: "When I was riding around in the car, my guys were Vince, you, Clint Black, Brooks & Dunn, Randy Travis, Travis Tritt" — then singled one out: "The first thing I can remember singing was Vince." He's called Gill "my hero" and "the best country voice we've ever had." In December 2020 he posted an unaccompanied cover of Gill's "Don't Let Our Love Start Slippin' Away"; three years later the two finally talked shop together at CMA Fest.
listen forGill's original rides a bright, uptempo shuffle built around his high, effortless tenor — the kind of vocal run other singers spend careers chasing. Combs' cover strips that arrangement down to just his voice and an acoustic guitar, reaching for the same high notes in his own huskier register. It's less a re-recording than an homage caught informally: an artist testing how close he can get to the singer he'd later call the greatest voice in country music.