photo: dulce osuna · cc by-sa 4.0 ↗Julio César Álvarez Montelongo left La Concordia, Chiapas as a teenager chasing the banda scene of Mazatlán, Sinaloa, and got his real break by accident — working as a tour guide for a visiting Banda El Recodo, he struck up a conversation with the group's Poncho Lizárraga that routed him into Banda MS, where he sang lead from 2003 to 2006. Going solo in 2007 as Julión Álvarez y su Norteño Banda, he became one of regional Mexican music's defining voices of the 2010s, pairing a booming, elastic baritone with singalong choruses and a cappella tags on hits like 'Te Hubieras Ido Antes' and 'El Terrenal.'
El Coyote is one of the three names on Julión's own 2016 tribute record Mis Ídolos, Hoy Mis Amigos!!! — a whole album of covers and new duets ('El Guitarrero' is theirs) built around the artists he's called his idols. Sinaloan banda's reedy, nasal high tenor and its taste for wounded-pride storytelling, full of jilted lovers getting even, runs straight through both careers.
listen forThe strained, nasal top notes right at a chorus's peak, and the way a clever, biting lyric turns heartbreak into a punchline without losing the ache underneath.
Barraza — 'El Poeta del Amor' — is the second idol on that same tribute album, with their own duet ('Hay Amores'). He's widely credited with steering banda toward a slower, romantic-ballad songwriting style in the early '90s, trading corrido swagger for a plainspoken verse that builds to a wrenching chorus; Julión's own ballads follow that same blueprint.
listen forA patient, almost spoken-word verse that holds back until the chorus finally opens up — banda arranged like a bolero, tuba and clarinet cushioning a lyric that reads like a diary entry.
Preciado — the booming 'Gigante de la Banda' who fronted Banda El Recodo through the mid-'90s before going solo — is the third idol on the record, dueting with Julión on 'Cariñito Cariñito.' His full-chested, declarative belt riding right on top of the horn section, built for a crowd to shout back, is the template Julión reaches for on his uptempo, singalong numbers.
listen forA big, unforced chest voice that rides on top of the horns instead of ducking under them, phrased so a whole room can shout the line back.