photo: harald krichel · cc by-sa 3.0 ↗Ed Sheeran built a global pop career from a distinctly folk-club start: a redheaded English busker armed with a loop pedal, turning solo acoustic sets into arena-filling, chart-topping records. His songwriting fuses conversational, diaristic lyrics with an omnivorous ear — Irish folk-soul phrasing, rap cadence, and classic piano-pop balladry all show up inside the same verse-chorus structure. By the mid-2010s he was one of the best-selling and most streamed musicians alive, largely on songs he still writes almost entirely himself.
Sheeran has called Van Morrison's Irish Heartbeat the album that first showed him what songwriting could do, and the loose, conversational phrasing and soul-inflected vocal runs on his own ballads trace back to Morrison's way of stretching a lyric until it breaks into feeling.
listen forCue up Morrison's 'Into the Mystic' and then Sheeran's 'Thinking Out Loud' — the same unhurried, half-spoken-half-sung delivery, and the way both songs let a simple chord vamp breathe under the voice instead of rushing the hook.
Sheeran has said that rapping along to Eminem's The Marshall Mathers LP as a kid helped him work through a childhood stutter, and the dense, syllable-packed verses he writes into his own pop songs carry that rap cadence and internal-rhyme discipline.
listen forListen to Eminem rattle through 'Stan' and then Sheeran's early single 'You Need Me, I Don't Need You' — both pile multisyllabic rhymes into tight rhythmic pockets at a clip most pop singers wouldn't attempt.
John became a mentor as much as an influence — he calls Sheeran regularly and has helped guide his career — and Sheeran's fondness for full-voiced, piano-led balladry that leans on one instrument and a big, hooky vocal melody echoes Elton's early singer-pianist records.
listen forPut on 'Your Song' next to 'Perfect' — both are simple, direct love songs that lean on a warm, unhurried piano-and-vocal arrangement rather than production tricks to land the emotion.