Dion DiMucci was born in the Bronx in 1939 and first found fame fronting the doo-wop group Dion and the Belmonts before going solo in 1960. Across the late 1950s and early '60s he became one of rock and roll's biggest hitmakers, cutting close-harmony teen anthems like 'I Wonder Why' and swaggering solo singles like 'Runaround Sue' and 'The Wanderer,' then reinventing himself in the late '60s as a folk and blues songwriter with 'Abraham, Martin and John.' His blend of Italian-American street-corner harmony, country phrasing, and rhythm and blues helped shape the template for white rock-and-roll singing.
As a young Bronx singer, Dion came up in the same New York doo-wop wave that Frankie Lymon and the Teenagers helped ignite, and their bright, close-harmony teen sound is the mold his own group Dion and the Belmonts poured their early records into.
listen forCompare 'Why Do Fools Fall in Love' with Dion and the Belmonts' 'I Wonder Why' — both stack fast, nonsense-syllable backing harmonies under a soaring young lead and gallop along at the same giddy clip.
Dion has often cited Hank Williams as one of the roots singers he loved as a young man, absorbing the country star's plainspoken loneliness and carrying that ache into his own later, more reflective ballads.
listen forPlay Hank's 'I'm So Lonesome I Could Cry' before Dion's 'Abraham, Martin and John' — both set a single grieving voice over a slow, spare backing and let the bare melody do the mourning.
Dion has pointed to early country and blues records among his formative loves, and the rambling-man persona and easy blues phrasing of Jimmie Rodgers, the 'Singing Brakeman,' feed the restless, rolling-stone narrators of Dion's solo singles.
listen forSet Rodgers' 'Waiting for a Train' beside Dion's 'The Wanderer' — both are sung by a footloose traveling man who can't stay put, riding an easy, rolling groove that keeps moving down the line.