photo: katrina paisano · attribution ↗Zach Bryan enlisted in the Navy at 17 and wrote songs off-duty for eight years before a barracks-shot iPhone video of 'Heading South' went viral in 2019, launching his debut album DeAnn, named for his late mother. Discharged in 2021, he built an audience without label machinery — plainspoken, unpolished, urgent — and by 2023 his self-titled fourth album and its Kacey Musgraves duet 'I Remember Everything' had made him one of the era's biggest live draws. He wears his influences openly: a Bruce Springsteen lyric tattooed on his arm, a title track that name-checks Springsteen's own songs, and constant public credit to Oklahoma's Turnpike Troubadours and to John Prine's plainspoken tradition. The through-line is a Navy kid's diary turned into arena-filling testimony.
Bryan has a lyric from Springsteen's 1982 Nebraska track 'State Trooper' — 'Deliver me from nowhere' — tattooed on his left bicep, and when the two finally sat down together in 2024 he explained exactly why: 'There was a quote somewhere about the writing on Nebraska that really resonated with me a lot: I know with Nebraska, I was interested in making myself as invisible as possible. That's my favorite record ever written.' Months later, Springsteen turned up on Bryan's own record in return.
listen forPlay Springsteen's 'State Trooper' first — a droning guitar riff, no drums, a half-spoken, half-howled vocal, Nebraska's rawest cut — then Bryan's own title track 'The Great American Bar Scene,' where he orders the jukebox to put 'State Trooper' on by name. It's a rare case of an artist naming the exact source inside the song itself: the debt isn't inferred by a critic, it's printed in the lyric.
Years before either was famous, Bryan met Turnpike Troubadours guitarist Ryan Engleman in a jail holding cell as a teenager. He heard nothing more until a letter arrived out of nowhere: 'I get a letter three years ago. It's just in an envelope, I didn't know what it was. So, I opened it and it was a note that says "Stay out of jail, f—er." It was from Ryan Engleman from Turnpike Troubadours,' Bryan told a crowd that had just watched the band open for him. 'They're our favorite band in the entire world.'
listen forBryan pays the debt back by name: in 'East Side of Sorrow' he sings that he heard Turnpike was 'back together and writing songs.' Play Turnpike's 'Diamonds & Gasoline' first — fiddle and steel wrapped around a small town's worth of names and grudges, thick enough to fill a novel — then listen for that same instinct to fill a song with a whole population running underneath Bryan's own verses.
When fans noticed Bryan had reused the title of John Prine's final, posthumous song, he didn't dodge it. Asked if his 2023 duet was a cover, he answered plainly: 'No, and I wish it was. I originally changed the name out of respect but just didn't sit right after I wrote the song, hopefully it's taken as homage.' Prine's son and fellow musician Tommy Prine wrote back with a blessing of his own: 'I'm Stoked to hear it man!'
listen forThe two songs share no melody — Bryan's is a hushed duet with Kacey Musgraves, Prine's a solo farewell — but cue them back to back and the audible debt is the restraint: both trade any big chorus for a bare acoustic pulse and a plainspoken vocal that never oversells the ache. Prine wrote his as a goodbye in 2020; three years later, Bryan borrowed only the title and the hush around it.