photo: kim pardi · cc by-sa 2.0 ↗Formed in Kingston, Ontario in 1984, the Tragically Hip cut their teeth as a bar band covering the British Invasion blues-rock of the Yardbirds and Rolling Stones before finding their own voice as chroniclers of Canadian geography, history, and small-town longing. Gord Downie's oblique, image-drunk lyrics and the band's tightly wound, guitar-driven arrangements made albums like Up to Here, Road Apples, and Fully Completely into era-defining Canadian rock records, even as the band remained a cult act south of the border. Downie's death from brain cancer in 2017, a year after a nationally televised farewell tour, turned the band into a genuine national institution.
Downie recalled that when the band first formed, "we found that we were gravitating to a lot of Yardbirds, early Stones covers" — the freight-train rave-up energy of the Hip's earliest, bluesiest material grew directly out of nights spent playing that repertoire in Kingston bars.
listen forThe Yardbirds' chugging, ever-accelerating rave-up "Train Kept A-Rollin'" sits behind the driving, riff-first blues-rock of the Hip's own "New Orleans Is Sinking" — the same relentless, train-like momentum.
Downie recalled that in the band's earliest days "we found that we were gravitating to a lot of Yardbirds, early Stones covers" — among the specific songs the Hip covered was the Stones' "2000 Light Years from Home," part of the wide net of 1960s British material the band drew from before writing original songs.
listen forThere's no direct riff-for-riff descendant here — the influence is mostly that the Hip cut their teeth playing this song note for note before finding their own voice; that same period's fascination with a hypnotic, droning vamp resurfaces in the trance-like verse groove of the Hip's own "Little Bones."
Among the Hip's early cover staples was Them's "I Can Only Give You Everything," sung by a young Van Morrison — Downie's own impassioned, half-spoken vocal delivery on the Hip's most soulful material carries an echo of Morrison's snarling, R&B-inflected phrasing on that record.
listen forCompare Morrison's urgent, almost-shouted vocal on "I Can Only Give You Everything" to Downie's own building, increasingly unhinged delivery on "At the Hundredth Meridian" — both singers use barely-contained vocal urgency as the song's emotional engine.