tributary

The Selecter

sourcesWikipedia

The Selecter were among the flagship acts of Britain's 2 Tone movement, formed in Coventry in 1979 and fronted by Pauline Black, one of the few women leading a band in the largely male ska-revival scene. Their debut single 'On My Radio' and 1980 album 'Too Much Pressure' paired the fast, offbeat skank of Jamaican ska with punk urgency and pointed lyrics about racism and social pressure, delivered by a multiracial lineup. Alongside labelmates the Specials and Madness, they helped make 2 Tone a template for later ska-influenced pop bands.

the sound in question
1979
On My RadioThe Selecter
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Prince Buster1960s · Ska / Rocksteady / Rhythm and blues

The Selecter built their sound on the Jamaican ska that Prince Buster helped invent, the accented offbeat, the walking bass, the horn-and-organ punch, speeding it up for a British audience. Buster's catalog was a direct 2 Tone touchstone; the movement openly revered and reworked his records.

listen: upstream & here
1964
Al CaponePrince Buster
1980
Three Minute HeroThe Selecter

listen forPlay Prince Buster's 'Al Capone' for the rude-boy swagger and that insistent offbeat, then hear the Selecter push the same skank to a faster, tighter clip on 'Three Minute Hero.'

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The Clash1970s · Punk rock / Post-punk / Reggae

2 Tone was born from punk as much as from ska, and the Clash modeled the fusion the Selecter would run with: a punk band that embraced Jamaican reggae and turned political anger into fast, danceable songs. The Selecter share that DIY urgency and the impulse to marry Caribbean rhythm with punk drive.

listen: upstream & here
1978
(White Man) in Hammersmith PalaisThe Clash
1980
Too Much PressureThe Selecter

listen forHear how the Clash lock a reggae bounce to punk tension on '(White Man) in Hammersmith Palais,' then play the Selecter's 'Too Much Pressure,' where a hammering ska beat carries the same wound-up, socially frustrated edge.

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Bob Marley1970s · Reggae / Roots reggae / Ska

Beyond ska's gallop, the Selecter drew on the broader Jamaican reggae and rocksteady tradition that Bob Marley carried to a global audience, the deep one-drop feel and the habit of setting weighty, personal lyrics against a warm, rolling groove.

listen: upstream & here
1973
Get Up, Stand UpBob Marley
1980
Missing WordsThe Selecter

listen forAfter the righteous chant of Marley's 'Get Up, Stand Up,' cue the Selecter's 'Missing Words' and feel the band ease off the ska sprint into a slower, rocksteady-leaning sway, the reggae undertow beneath their 2 Tone attack.

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