tributary

Tame Impala

sourcesWikipedia2

Tame Impala is the recording project of Perth multi-instrumentalist Kevin Parker, who writes, plays, and produces every layer of the music alone in his home studio before assembling a touring band to bring it to the stage. Beginning as a hazy, guitar-driven psych-rock outfit on 2010's Innerspeaker, Parker steadily rebuilt the sound around synthesizers and drum machines, turning 2015's Currents into a widely covered blueprint for psychedelic pop's move onto the dance floor and the pop charts. He has since become one of the most sampled and covered songwriters of his generation, courted by artists from Rihanna to Kanye West, while continuing to release albums under the Tame Impala name.

the sound in question
2015
The Less I Know the BetterTame Impala
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Todd Rundgren1970s · Power pop / Progressive rock

Parker has named Rundgren's 1973 studio odyssey A Wizard, a True Star as a direct touchstone for Lonerism, pointing to Rundgren's phased drums and one-man-band studio wizardry as validation for building whole albums alone in a home studio.

listen: upstream & here
1973
International FeelTodd Rundgren
2012
Feels Like We Only Go BackwardsTame Impala

listen forCue up the woozy, effects-drenched collage of Rundgren's 'International Feel,' then Tame Impala's 'Feels Like We Only Go Backwards' — both bury a plainly melodic song under layers of phasing, tape tricks, and one-man overdubs.

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The Beatles1960s · Rock / Pop rock

Parker has pointed to the trippy, backwards-tinged psychedelia of the Beatles' 'Blue Jay Way' as an early revelation about how far a pop song could bend without breaking, a lesson audible across Tame Impala's kaleidoscopic productions.

listen: upstream & here
1967
Blue Jay WayThe Beatles
2012
Apocalypse DreamsTame Impala

listen forHear the drifting, tape-warped drone of 'Blue Jay Way,' then Tame Impala's 'Apocalypse Dreams' — both wrap a simple vocal melody in swirling keyboard fog and disorienting studio effects.

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Supertramp1970s · Progressive rock / Soft rock

Parker has called Supertramp one of his favorite bands and admitted he feels like he's 'always kind of channeling' them, pointing to their warm electric-piano tones and soaring, melancholy falsetto hooks.

listen: upstream & here
1979
The Logical SongSupertramp
2015
Yes I'm ChangingTame Impala

listen forPlay Supertramp's Wurlitzer-driven 'The Logical Song' next to Tame Impala's 'Yes I'm Changing' — both ride a warm, bittersweet keyboard hook and a plaintive falsetto through a very similar ache.

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