tributary

Pet Shop Boys

sourcesWikipedia

Pet Shop Boys — Neil Tennant and Chris Lowe — turned arch, deadpan lyricism and gleaming synth-pop production into one of British pop's most consistent hitmaking partnerships, breaking through with 1985's 'West End Girls.' Their run through Actually and Introspective paired disco and Hi-NRG productions with wry, class-conscious storytelling rare in mainstream pop. Their fusion of intelligence and dancefloor bombast has echoed through synth-pop revivalists for decades.

the sound in question
1985
West End GirlsPet Shop Boys
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Kraftwerk1970s · Electronic / Krautrock / Synth-pop

Kraftwerk's deadpan, machine-pulse electronic pop is a foundational reference point for the synth-pop scene Pet Shop Boys emerged from.

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1978
The RobotsKraftwerk
1987
It's a SinPet Shop Boys

listen forHear the motorik, robotic pulse of Kraftwerk's 'The Robots' inside the driving, sequenced beat of Pet Shop Boys' 'It's a Sin.'

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Soft Cell1980s · Synth-pop / New wave

Soft Cell's noir synth-pop melodrama was part of the same early-'80s British synth scene that shaped Pet Shop Boys' sensibility.

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1981
Tainted LoveSoft Cell
1987
RentPet Shop Boys

listen forCompare the brooding synth theatrics of Soft Cell's 'Tainted Love' to the melancholy sweep of Pet Shop Boys' 'Rent.'

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Human League1980s · Synth-pop / New wave

The Human League's crisp, chart-friendly synth-pop was part of the same early-'80s scene that shaped Pet Shop Boys' pop instincts.

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1981
Don't You Want MeHuman League
1986
Opportunities (Let's Make Lots of Money)Pet Shop Boys

listen forSet the icy hooks of Human League's 'Don't You Want Me' against the equally crisp synth-pop of Pet Shop Boys' 'Opportunities (Let's Make Lots of Money).'

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