photo: tony dandrades · cc by 3.0 ↗Justin Quiles is a Connecticut-born, Puerto Rico-raised reggaetonero who spent years as one of the genre's most in-demand ghostwriters — penning hits for J Balvin, Maluma, and Karol G — before breaking through as a solo star with dembow-driven, chorus-first party anthems. His 2020 run of "Jeans," "Ponte Pa' Mí," and the Daddy Yankee/El Alfa collaboration "Pam" cemented him as a hitmaker in his own right, and 2021's "Loco" became a global crossover smash.
Quiles has named El General — alongside salsa and hip-hop — as one of the formative sounds from his older brother's cassette collection growing up in Aguadilla; the reggae-en-español dembow riddim El General popularized predates reggaeton itself and underlies the genre Quiles works in.
listen forListen for the insistent, ricocheting kick-snare "dem bow" pattern driving the tropical fusion of "Loco" — that same clipped riddim, stripped to its bones, is what El General rode on "Muévelo" three decades earlier.
Quiles repeatedly cites Wisin y Yandel as part of the trio of reggaeton names (with Tego Calderón and Don Omar) his brother's music shaped his ear with before he wrote his first song at 13 — the duo's chart-topping run set the template for sung-hook, radio-ready reggaeton Quiles writes in.
listen forThe simple, chantable title hook riding a perreo groove on "Jeans" follows the same pop-reggaeton blueprint Wisin & Yandel established with "Rakata" — a sung chorus built to be shouted back at a party rather than rapped.
Don Omar is the third name Quiles consistently names from his childhood reggaeton diet — the 2000s crossover era when the genre's biggest stars balanced street credibility with radio-pop hooks, a balance Quiles has chased in his own solo material.
listen forThe flirtatious, sun-drenched sensuality of "Ponte Pa' Mí" sits in the same lane as Don Omar's crossover party anthems like "Dale Don Dale" — melody-forward reggaeton built for mainstream radio as much as the club.