Justice is the Paris duo of Gaspard Augé and Xavier de Rosnay, whose 2007 debut Cross fused disco, hard rock, and electroclash into a maximalist, distortion-heavy strain of French house. Their breakout single "D.A.N.C.E.," written as a playful tribute to Michael Jackson, became one of the most sampled and covered dance tracks of its decade, and the duo went on to win a Grammy for Best Dance/Electronic Album for Woman Worldwide (2019).
De Rosnay has said "D.A.N.C.E." was "meant to be a tribute to Michael Jackson," with lyrics built mainly around the titles of his songs — P.Y.T., Black or White, Working Day and Night — sung by a children's choir as a playful homage.
listen forThe bright, syncopated bassline and falsetto-leaning vocal hook on "D.A.N.C.E." nod straight at the Quincy Jones-era Jackson pop-funk sound that "P.Y.T." typifies.
Xavier de Rosnay has said Daft Punk "made it possible to be French and to be listened to in foreign countries" — opening the door Justice walked through internationally — and Thomas Bangalter personally helped with pre-mastering work on Justice's early records.
listen forThe vocoder-warped robotic build and sample-collage construction on "Genesis" run on the same filtered-disco machinery Daft Punk pioneered on Homework and Discovery, just pushed louder and dirtier.
Critics have grouped Justice with The Prodigy and The Chemical Brothers as heirs to the 1990s "big beat" trick of running hard-rock aggression through electronic production — Cross carries over the metallic, overdriven riffing those acts brought into dance music, described by reviewers as thunderous stadium rock fed through a techno blender.
listen forThe blunt, industrial synth riff driving "Stress" has the same rock-through-a-distortion-pedal attack as the stabbing breakbeat riff on "Firestarter," just traded for a four-on-the-floor pulse.