photo: jose javy ferrer · cc by 3.0 ↗Born José Ángel López Martínez in 1994 in Salinas, Puerto Rico, Jay Wheeler grew up singing and playing piano in his family's church before a home-recorded video went viral and led to a deal with Dynamic Records and a formative mentorship under veteran producer DJ Nelson. He built his name in the late-2010s Latin trap wave before settling into the plush, melody-forward corner of reggaetón he calls his "romantic flow" — R&B-schooled vocals riding a dembow pulse — breaking through with 2020's "La Curiosidad" and carrying the sound across "Platónico," "El Amor," and "La Voz Favorita."
Wheeler has named Arcángel as his direct "referente" — the artist he heard as the most versatile of all, moving between diss tracks, straight reggaetón, and romantic hooks without ever picking a lane. Wheeler says he chases that same tone in his own writing, pointing to Arcángel's messages as "muy positivos y potentes."
listen forCue up Arcángel's early "Pa' Que la Pases Bien" next to "My Love," the 2025 duet the two eventually recorded — listen for the same unhurried, half-sung cadence riding a spare beat, a smooth, room-filling hook prioritized over any rapid-fire flow.
Veteran Noise-era producer DJ Nelson discovered Wheeler after a viral clip and became his mentor and executive producer. Wheeler calls him "like my dad" and has said "Nelson was the step that I needed to become who I am today," with Nelson's Flow Music sound — built on the freestyle-over-riddim mixtape tradition — shaping Wheeler's earliest records.
listen forListen to DJ Nelson's foundational "Vengo Acabando" next to "Otra Noche Más (Remix)," the DJ Nelson-produced highlight of Wheeler's debut album Platónico — both ride a stripped, chant-ready dembow loop built for a producer's mixtape rather than a solo artist's ballad.
Wheeler has said he grew up on his mother's favorite '90s vocal groups, Boyz II Men chief among them, and that listening to them "gives me liberty to jump onto any beat or genre." That stacked-harmony, slow-jam schooling is the R&B backbone underneath his reggaetón.
listen forPlay Boyz II Men's "End of the Road" against Wheeler's "Viendo El Techo" — notice the same drawn-out, aching vocal runs, and how the beat thins out under the hook so the voice, not the dembow, is left carrying the emotion.