Gojira formed in 1996 in Ondres, a small town on France's southwestern coast, when teenage brothers Joe (guitar, vocals) and Mario Duplantier (drums) started a technical death metal band with schoolmate guitarist Christian Andreu, initially under the name Godzilla before a trademark dispute forced the switch in 2001. Working far from any established metal scene, bassist Jean-Michel Labadie completed a lineup that has never changed, welding Florida death metal's density to thunderous, tom-driven grooves and widescreen, environmentally minded concept records. 2005's 'From Mars to Sirius' brought international breakthrough; 'L'Enfant Sauvage' and 'Magma' carried them into arenas across the 2010s, and in 2024 they became the first metal band to perform at an Olympic Games opening ceremony.
Duplantier has called Chuck Schuldiner 'a god I pray to every day,' saying his own riff-writing and vocal phrasing are heavily influenced by Schuldiner, and that Death's 'Human' 'reinvented the rules of death metal.' The lineage shows up as unpredictable, angular riff sequences that dodge four-bar predictability, and phrasing that treats the voice as another rhythmic instrument.
listen forCompare 'Symbolic' with 'The Heaviest Matter of the Universe' — both stack irregular, start-stop riff cells into a single passage, letting the guitar interrupt itself mid-phrase rather than settle into a repeating groove.
Joe Duplantier has said Metallica 'was my life' as a teenager, watching their VHS tapes after school trying to decode 'such a masterpiece' as 'Ride the Lightning,' and has credited the band with shaping his entire career path. That thrash backbone surfaces in Gojira's palm-muted low-string gallops and tightly arranged riff architecture, even as the band pushes tempo and dissonance further than Metallica ever did.
listen forSet 'Ride the Lightning' against 'Backbone' — both build from a driving, tightly picked low-string riff punctuated by tremolo runs, structured less like a verse-chorus song than a sequence of escalating riff movements.
Duplantier has repeatedly named Morbid Angel among the Florida death metal bands that shaped Gojira's 'ambition to create something violent and dissonant and weird,' and singled out 1993's 'Covenant' as 'a sophisticated death metal album... beautiful, and full of magic and epic brutality.' That mix of technical brutality and unexpected grandeur echoes through Gojira's own move from pure aggression toward more atmospheric, almost mystical territory.
listen forPlay 'Rapture' next to 'Ocean Planet' — both open on a churning, tremolo-picked riff under a guttural vocal before pulling back into a spacious, almost ceremonial midsection that trades sheer speed for weight and atmosphere.