photo: billy hicks · cc by-sa 3.0 ↗The Black Eyed Peas formed in Los Angeles in 1995 around rapper-producer will.i.am and apl.de.ap, emerging from the city's underground alternative-rap scene with two jazzy, live-instrument albums that leaned bohemian and conscious rather than commercial. The 2003 arrival of singer Fergie and the album 'Elephunk' pivoted the group toward a glossy dance-pop and pop-rap crossover that made them one of the best-selling acts of the 2000s. Across hits like 'Where Is the Love?,' 'Let's Get It Started,' and 'Boom Boom Pow,' will.i.am's maximalist, electronics-forward production reframed the group as a global chart and festival juggernaut.
Before their dance-pop turn, the Black Eyed Peas were an alternative-rap act steeped in the jazzy, live-instrument, positive-minded style that A Tribe Called Quest helped define, and critics routinely placed their late-1990s work in that post-Native Tongues bohemian lineage of loose grooves and conversational, upbeat rhyming.
listen forCue Tribe's 'Award Tour' and then the Peas' 'Joints & Jam' — listen for the same unhurried, jazz-loop swing and trading, sing-song verses, where the rhythm rides a warm bassline instead of a hard-hitting beat.
For the group's late-2000s reinvention on 'The E.N.D.,' will.i.am pushed toward robotic, vocoder-heavy electro built on hard, four-on-the-floor synths — the machine-tooled dance palette Daft Punk had popularized, where the human voice is chopped into computerized, rhythmic syllables.
listen forPlay Daft Punk's 'Harder, Better, Faster, Stronger' before 'Boom Boom Pow' — notice the same chopped, vocoded robot-voice hook and stiff, filtered synth-bass pulse, the vocal sliced into stuttering electronic fragments.
The group's crossover era chased the kind of universal, showmanship-driven dance-pop Michael Jackson perfected — relentless, joy-driven grooves engineered to move a crowd, wrapped in polished, radio-ready production; will.i.am has named Jackson among his formative influences.
listen forThrow on Jackson's 'Don't Stop 'Til You Get Enough' and then 'Let's Get It Started' — feel the same driving, propulsive dance momentum and rising, exhortation-style vocals built to keep a whole room on its feet.