photo: david lee · cc by 2.0 ↗Beatrice Laus picked up a secondhand guitar at seventeen and wrote "Coffee" in a single afternoon, turning bedroom-recorded hiss into a career built on hooks and heartbreak. Born in Iloilo City and raised from age three in West London on her mother's Cardigans and Cranberries tapes, she filters 90s alt-rock and slacker-rock nostalgia through unguarded, diary-entry lyrics, moving from lo-fi confessionals through the full-band 90s throwback of Fake It Flowers and Beatopia to the widescreen pop of This Is How Tomorrow Moves.
The deliberately loose, detuned guitar tone and half-spoken vocal delivery Bea reaches for when a song wants to feel unbothered rather than polished — a debt she's acknowledged directly, right down to naming an early single after Stephen Malkmus and later meeting him backstage.
listen forVocals that sound almost talked rather than sung, sitting loosely on top of guitars that seem to shrug rather than resolve their chords — the 'slackness' Bea has said she borrowed straight from Malkmus's voice.
The hushed, close-mic'd acoustic fingerpicking and diaristic lyric-writing on Bea's earliest bedroom recordings — Smith is a songwriter she's named repeatedly as a hero since long before she was famous, and wears tattooed on her arm.
listen forA vocal take that sounds recorded late at night with headphones on, sitting right up against a single fingerpicked guitar rather than a full arrangement — the same hushed, confessional intimacy she's pointed to in Smith's own records.
The yearning, melody-forward vocal lines and dreamy, atmospheric guitar wash from a stretch Bea has said she spent listening to almost nothing but The Cranberries and The Cure.
listen forA vocal melody that floats and lilts rather than sitting square on the beat, drifting over jangly, reverb-soaked guitars — the dream-pop-adjacent side of 90s alt-rock.