photo: niwi6 · cc by-sa 3.0 ↗Stephen Malkmus and Scott Kannberg built Pavement out of a Stockton, California, garage and a deliberate indifference to polish, turning tape hiss, detuned guitars, and non-sequitur lyrics into the sound that defined American indie rock's slacker decade. Slanted & Enchanted and Crooked Rain, Crooked Rain made a virtue of looseness, prizing crooked hooks over careerism, and the band's mix of irony and unresolved yearning still runs through underground guitar music.
Malkmus has directly credited Mark E. Smith's ranting, semi-spoken vocal delivery and structural looseness, saying outright that a chunk of Slanted & Enchanted "messes with his way of doing stuff" — critics have specifically compared Pavement's 'Conduit for Sale!' to The Fall's 'New Face in Hell.'
listen forA yelped, off-the-cuff vocal cadence that barely resolves into melody, riding a lurching, almost-collapsing band groove — straight out of The Fall's playbook.
Pavement's affection for R.E.M.'s Reckoning ran deep enough that they recorded a song, "Unseen Power of the Picket Fence," as a direct tribute to it for an AIDS-benefit compilation, and critics have heard the same echo elsewhere on Crooked Rain, Crooked Rain.
listen forA jangly, major-key guitar figure and plainspoken vocal melody — brighter and more straightforwardly pretty than Pavement's usual scrawl.
Years spent touring alongside Sonic Youth left Pavement with a taste for detuned, dissonant guitar interplay and noise-as-texture — Malkmus has credited the band's DIY ethic directly.
listen forGuitars that clash and ring slightly out of tune against each other rather than locking into a clean riff — controlled dissonance standing in for a solo.