Micheal Ray Stevenson grew up shuttling between Compton and Gardena, where his grandparents played old-school records every morning before school. He talked his way onto the 2007 MTV Video Music Awards stage, rapping over a Fall Out Boy song alongside Lil Wayne, who signed and mentored him through Young Money's early years. The turn came in 2011, when producer DJ Mustard sent a beat so stripped-down that Tyga assumed the file was broken. He rapped over it anyway, and "Rack City" became the record that defined an era of West Coast rap and set a template — sparse, bouncing, built to be shouted rather than parsed — he'd chase through a decade of comebacks. His instincts trace to the rappers he studied before he had a style of his own: a mentor's flow, and a rival era's obsession with wordplay.
Eminem was the first rapper Tyga studied like homework, not just admired. "I used to take my Walkman and write the lyrics down...listen to it over and over again," he told POW Mag in 2014. "I was listening to what he was saying and reading it back and it was crazy. How does he think of some shit like this?" A 2015 Nylon profile confirms that's literally how he learned to write songs, and as late as 2023 he was still tweeting that Eminem, alongside Wayne, was one of the two best rappers alive.
listen forIn 2022, Tyga posted a screenshot from his "Ay Caramba" video next to Eminem's "My Salsa" bit, daring anyone to miss the reference. Cue up D12's "My Band" video and skip to Eminem's salsa detour near the end: the same overplayed accent, the same wink-at-the-camera comic mugging Tyga restages nearly two decades later, right down to the exaggerated hip-shake and the mock-serenading stare.
Tyga has said flow was the only thing he paid attention to as a teenager: "Eminem has the best flow and then Wayne of course, in his prime," he told POW Mag in 2014, "I was like damn, if I can combine both of their flows and do some shit, it would be crazy." Wayne signed him to Young Money in 2008, and Tyga was in the room the night "A Milli" got made — freestyling over the same stripped-down beat months before it became Wayne's biggest hit, alongside Cory Gunz and Lil Mama.
listen forNotice how both tracks strip the beat down to almost nothing and dare the rapper to fill the space. Tyga described his own formula in exactly those terms — "if the snares are good, the tempo's fast, then I'll rap on it like some 'A Milli' shit" — and said the same thing when DJ Mustard first sent him the "Rack City" instrumental: "I'd never heard a beat so empty... this shit bounces." Same bare-bones math, three years apart.
Tyga names Cam'ron just once by name, tossed into a list of teenage favorites — but unlike the others in that sentence, he keeps circling back. "I was a big Cam'ron fan, and I still am a fan," he told Complex in 2012, "but he was one of them dudes that was really trendsetting... his whole style is East Coast, New York. Me from L.A., saying that?" Two years later, unprompted, he compared Cam's underrated run to his own: "People hated on Cam and I always loved Cam. But in his moment people hated him, even though he was dope."
listen forPlay Cam'ron's "Oh Boy" against Tyga's "Faded": both wrap a warm, sung sample hook around loose, unhurried verses built for floating through rather than catching every bar. No interview ties these two specific songs together — it's the trendsetting swagger-over-syllables trade Tyga describes made audible, the chorus doing the heavy lifting while the verses hang back, cool as a candy-paint car circling the block twice.