photo: bobak ha'eri · cc by 3.0 ↗Jacques Bermon Webster II built a maximalist, distortion-soaked strain of Houston trap where sub-bass, gothic choirs, and Auto-Tuned moans collapse into an arena-sized roar. From Owl Pharaoh through the amusement-park mythology of Astroworld, he turned festival mainstages into an extension of the studio, chasing rage and euphoria in the same breath. He remains one of the era's most imitated producers of atmosphere, a Houston kid who rebuilt trap as psychedelic spectacle.
Scott took half his stage name from Scott Mescudi and has repeatedly called Kid Cudi his favorite artist and biggest inspiration, crediting 2009's Man on the Moon era with making him believe he could actually make it as a rapper — the melodic, half-sung hums and moody hooks that run through Travis's catalog trace straight back to Cudi's template.
listen forPlay Kid Cudi's 'Day 'N' Nite' and then Travis Scott's '90210' — hear the same foggy, half-mumbled melodic ache riding a spare, hypnotic beat, one artist's signature mood inherited almost wholesale by the other.
Kanye signed Scott to a G.O.O.D. Music publishing deal in 2012 as an in-house producer, and Scott went on to co-produce Yeezus tracks 'New Slaves' and 'Guilt Trip' directly alongside him — the industrial clatter and maximalist scale of that mentorship carried straight into Scott's own festival-scaled production.
listen forPlay Kanye's 'New Slaves,' which Travis co-produced, against Travis's own 'STARGAZING' — the same instinct for letting a beat lurch and mutate mid-song rather than sit still.
T.I. heard Scott's production work and signed him to a joint-venture deal with Grand Hustle Records in 2013, an early vote of confidence from Southern rap's self-styled 'King of the South' that anchored Scott's sound in the region's trap lineage before he ever became a Houston-specific festival brand.
listen forPlay T.I.'s 'Rubber Band Man' and then Travis Scott's 'Antidote' — both ride a loping, bass-heavy Southern trap pocket built for a crowd to bounce to, even as Scott smears it in haze and reverb.