Five New York kids in vintage leather jackets, the Strokes turned scuzzy CBGB-era swagger into 2001's most influential three minutes of guitar music, Julian Casablancas singing through a deliberately blown-out mic pre-amp like he'd rather be anywhere but the spotlight. Is This It arrived lean, unpolished, and utterly assured, and it single-handedly relit the fuse for a whole generation of garage-rock revivalists on both sides of the Atlantic.
Casablancas has said the Strokes 'definitely drew from the vibe of the Velvets' early on, admiring how matter-of-factly Lou Reed could sing about drugs, sex, and the people around him without moralizing about any of it.
listen forLine up the Velvet Underground's Sweet Jane against the Strokes' Someday — both ride a simple, chugging chord pattern under a half-bored, half-charming vocal, the sound of downtown New York not caring whether you're impressed.
Casablancas has cited the Doors as an early influence on the band's sound and arrangements rather than Jim Morrison's rock-star mythology specifically — a template for turning a small combo into something moody and cinematic.
listen forPlay the Doors' Break On Through (To the Other Side), then the Strokes' The Modern Age — listen for how both bands build a whole song's tension out of a tight rhythm section and a restless, unresolved lead line.
Critics writing about Is This It repeatedly reached for the Ramones as shorthand for the record's brash, no-frills economy — three chords, no solos, songs over almost as soon as they start.
listen forPut on the Ramones' Blitzkrieg Bop next to the Strokes' Hard to Explain — the tempos and haircuts differ, but the same stripped-down, all-forward-motion attack is doing the work in both.