tributary

Stevie Ray Vaughan

Muddy Watersphoto: lionel decoster · cc by-sa 4.0
sourcesWikipedia

Stevie Ray Vaughan was a Dallas-born guitarist whose ferocious, tone-drenched Stratocaster playing helped return electric blues to the mainstream in the 1980s, fronting his band Double Trouble on albums like 'Texas Flood.' Steeped in the Texas blues tradition and openly indebted to Jimi Hendrix, he married raw power with a singing, deeply expressive lead voice on the instrument. His career was cut short by a 1990 helicopter crash, but his influence on the guitarists who followed was immense.

the sound in question
1983
Pride and JoyStevie Ray Vaughan
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Jimi Hendrix1960s · Rock / Blues rock / Psychedelic rock

Vaughan idolized Jimi Hendrix and folded Hendrix's material and vocabulary directly into his own sets, covering him and channeling his mix of muscular rhythm playing and wailing, feedback-kissed lead.

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1968
Voodoo Child (Slight Return)Jimi Hendrix
1984
Voodoo Child (Slight Return)Stevie Ray Vaughan

listen forPut Hendrix's own 'Voodoo Child (Slight Return)' beside Vaughan's cover of it — same wah-soaked, swaggering riff, but hear how Vaughan leans even harder into the Texas-shuffle grit.

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Muddy Waters1950s · Chicago blues / Electric blues

Vaughan came up steeped in the electric Chicago blues of Muddy Waters, and that foundation — a hard-driving shuffle built on a swaggering, strutting guitar-and-vocal groove — anchors his up-tempo material.

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1954
Hoochie Coochie ManMuddy Waters
1984
Cold ShotStevie Ray Vaughan

listen forPlay Waters's stop-time strut 'Hoochie Coochie Man' and then Vaughan's 'Cold Shot' — both ride a swaggering, start-stop blues groove where the guitar answers every vocal line with a terse, cocksure lick.

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T-Bone Walker1940s · Jump blues / Electric blues / West Coast blues

Vaughan grew up inside the Texas blues lineage that T-Bone Walker helped found, and Walker's pioneering electric approach — a smooth, horn-like single-note lead over a jazzy shuffle — echoes through Vaughan's slower, more sophisticated blues.

listen: upstream & here
1947
Call It Stormy Monday (But Tuesday Is Just as Bad)T-Bone Walker
1983
Texas FloodStevie Ray Vaughan

listen forSet Walker's genre-defining slow blues 'Call It Stormy Monday (But Tuesday Is Just as Bad)' against Vaughan's 'Texas Flood' — both stretch a languid, horn-like guitar line over a slow 12-bar, wringing feeling out of every bent note.

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