photo: unknown photographer · cc by-sa 3.0 nl ↗Noel Scott Engel, known as Scott Walker, was an American-British singer, songwriter, and producer who went from 1960s teen-pop stardom in the Walker Brothers to become one of popular music's most radically inventive avant-garde artists. After the trio's mid-60s hits, he built a baroque, orchestral solo songbook across Scott through Scott 4 (1967-69) steeped in Jacques Brel's chanson, then spent his later decades pushing into the abrasive, dissonant territory of Tilt (1995), The Drift (2006), and Bish Bosch (2012).
Walker was 'strongly inspired by' Belgian singer-songwriter Jacques Brel and built his early solo career partly on English adaptations of Brel's songs, undermining his teen-idol image by, as one account puts it, 'raiding the songbook' of the Belgian chansonnier.
listen forThe dramatic, near-theatrical vocal delivery and orchestral surges Walker carried over from Brel's chanson tradition into his own original compositions.
Walker's early management tried to mould him into 'a new Andy Williams or Frank Sinatra,' and critics have described his solo work as taking the same one-voice, orchestra-behind-him crooner form Sinatra and Tony Bennett popularized, redirected toward brooding and alienation rather than cocktail-hour romance.
listen forA smooth, room-filling baritone phrased over lush strings -- the crooner tradition, turned melancholy.
Alongside Brel, Walker's early original songs drew on the French chanson tradition via Léo Ferré, exploring European musical roots while expressing his own American experience; AllMusic's biography of Ferré credits his symphonic, literary songwriting with influencing later English-language singer-songwriters including Walker.
listen forLiterary, character-driven lyric writing and swelling orchestral builds shared with the French chanson tradition.