photo: decca records · public domain ↗Born Virginia Patterson Hensley in Winchester, Virginia in 1932, Patsy Cline broke out of Nashville's honky-tonk scene with 1957's 'Walkin' After Midnight' and, by the early 1960s, had helped invent the smooth, string-laced 'Nashville Sound' with hits like 'Crazy' and 'I Fall to Pieces.' Her powerful, pop-trained voice bridged the twang of hillbilly music and the polish of uptown balladry, opening commercial doors that generations of country women would walk through. She died in a 1963 plane crash at the height of her career, but her recordings remain a foundational text for country vocalists ever since.
Cline was, by contemporary accounts, a devotee of pop belter Kay Starr, and Starr's grittier, R&B-tinged pop delivery fed into the powerful, un-twangy vocal attack Cline brought to Nashville's honky-tonk scene.
listen forListen to the bluesy power and phrasing on Starr's 'Wheel of Fortune,' then Cline's own breakthrough 'Walkin' After Midnight' — both singers push a pop belt through material that started out as straight country.
Cline's sound has been described as combining the pop characteristics of singers like Patti Page with the hillbilly grit of Hank Williams — a smooth, string-friendly delivery that helped pull country records onto pop radio.
listen forPlay Page's plaintive, pop-polished 'Tennessee Waltz' and then Cline's own lushly orchestrated 'She's Got You' — both take a country heartbreak song and dress it for the pop charts without losing the ache.
Alongside her pop influences, Cline's style has been described as carrying forward the hillbilly directness of Hank Williams — plainspoken honky-tonk heartbreak underneath her more polished vocal delivery.
listen forListen to the raw, unguarded ache in Williams's 'Hey Good Lookin'' and then Cline's own devastated 'I Fall to Pieces' — the arrangements differ, but both put a plainspoken country heartbreak front and center.