Matthew Herbert is a British electronic musician and producer known since the mid-1990s for building tracks out of sampled everyday sounds — cutlery, bicycles, the human body — under a self-imposed manifesto he calls the Personal Contract for the Composition of Music. His albums 'Bodily Functions' (2001) and 'Scale' (2006) established him as one of house music's most conceptually restless producers, and his work has since expanded into film scores and large-ensemble composition.

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2010

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