Benjamin Hammond Haggerty, born in Seattle in 1983, began rapping as a teenager under the name Macklemore and spent years in the Pacific Northwest underground before pairing with producer Ryan Lewis. Working independently without a major label, the duo broke through in 2012 with 'The Heist,' whose singles 'Thrift Shop' and 'Can't Hold Us' topped the Billboard Hot 100 while 'Same Love' became a widely embraced anthem for marriage equality. His music pairs breezy, hook-driven pop-rap with confessional and socially conscious songwriting drawn from the East Coast underground he grew up studying.
Macklemore has listed Talib Kweli among his core influences, and the two later toured together; Kweli's model of socially conscious, issue-driven rap shows up directly in Macklemore's willingness to build a hit single around a political argument rather than a party.
listen forPlay Kweli's uplift anthem 'Get By' and then Macklemore's marriage-equality track 'Same Love' — hear how both set earnest social commentary over a warm, soul-leaning beat and a sung, gospel-tinged hook.
Macklemore has named Wu-Tang Clan among the East Coast underground and hardcore acts he absorbed growing up, alongside Mobb Deep and Nas. Their imprint is audible in his taste for dense, rapid-fire verses and the crew-cut energy of piling lines onto hard, sample-driven drums.
listen forPut on the breathless, elbows-out posse energy of Wu-Tang's 'Protect Ya Neck' and then Macklemore's 'Can't Hold Us' — hear how both stack tumbling, multisyllabic verses that sprint to keep pace with the beat rather than sitting back in the pocket.
Nas is one of the East Coast lyricists Macklemore has cited as formative, and the influence surfaces in Macklemore's turn toward vivid, first-person storytelling — building a whole track around a single scene or memory the way Nas did on 'Illmatic.'
listen forCue Nas's street-level narrative 'N.Y. State of Mind' next to Macklemore's addiction confessional 'Otherside' — both anchor the verse in specific, unflinching detail and let the story, rather than the hook, carry the weight.