photo: anokarina · cc by-sa 2.0 ↗Luis Alfonso Rodríguez López-Cepero was born in San Juan, Puerto Rico, in 1978 and moved with his family to Orlando, Florida, as a child, where he sang in school choirs and absorbed American R&B alongside the Latin balladeers of his household. He emerged in the late 1990s as a polished Spanish-language pop singer nicknamed the "Prince of Ballads," scoring career-defining hits with the R&B-tinged "Imagíname Sin Ti" and the widescreen romantic anthem "No Me Doy por Vencido." In 2017 his reggaeton-pop single "Despacito," with Daddy Yankee, became a global phenomenon and one of the most-streamed songs in history, recasting the lifelong balladeer as a worldwide crossover star.
Fonsi has cited José José among his formative influences; the Mexican singer's dramatic, emotionally exposed reading of a romantic ballad — building from a hushed confession to a trembling climax — is a clear touchstone for the way Fonsi shapes his own big power ballads.
listen forCue José José's landmark 'El Triste' next to Fonsi's ensemble ballad 'Aquí Estoy Yo' — hear how each starts almost spoken and vulnerable, then climbs step by step into a near-operatic peak where the voice cracks with feeling on the highest note.
Fonsi has named Luis Miguel among the artists in his personal rotation, once noting that his player held a Luis Miguel CD alongside his R&B favorites, and he built his career in the grand, orchestrally-backed Spanish-language balladeer mold that Luis Miguel defined for a generation — the earnest, full-throated romantic delivery that earned Fonsi the tag 'Prince of Ballads.'
listen forPut Luis Miguel's soaring 'La Incondicional' before Fonsi's 'No Me Doy por Vencido' and listen to how both singers hold back through an intimate opening verse, then push into a big, string-swept chorus, riding the very top of the chest voice to sell total romantic devotion.
Fonsi has said he was 'really influenced by Brian McKnight, Stevie Wonder, Boyz II Men and all these other amazing R&B singers,' and set out to fold that American R&B feel — smooth melisma and stacked, church-rooted harmony — into Spanish-language pop, which is exactly the texture of his early ballads.
listen forPlay Boyz II Men's 'End of the Road' and then Fonsi's breakthrough 'Imagíname Sin Ti' back to back — listen for the same slow-jam pacing, the pleading spoken-word tenderness, and the way the lead vocal decorates the melody with soft R&B runs before the harmonies bloom underneath.