Gustav Åhr, recording as Lil Peep, was a Long Island rapper and singer who fused emo and pop-punk melodicism with trap and cloud-rap production, becoming an unlikely bridge between Hot Topic and SoundCloud. Backed by the GothBoiClique collective, he built a devoted following on mixtapes like Crybaby and Hellboy before his 2017 debut album Come Over When You're Sober, Pt. 1. He died of an accidental overdose that November at 21, and is widely credited as the figurehead of the emo-rap movement that followed.
Peep named Fall Out Boy directly as one of his favorite bands, and it surfaces as an actual songwriting instinct — verses that build to a big, shout-along chorus, the way an emo record is supposed to release tension.
listen forListen for the melodic lift into the hook on 'Awful Things' — a pop-punk chorus shape dropped over a rap cadence, the same trick Fall Out Boy ran on 'Sugar, We're Goin Down.'
Peep credited Makonnen by name as a core influence, and it's audible in the loose, half-sung, autotune-softened delivery he used instead of a straight rap flow — mood and melody over technical bars.
listen forCompare the woozy, drifting vocal float on Makonnen's 'Tuesday' to the hook on Peep's 'Benz Truck' — both ride a spare beat with a vocal that sounds like it's falling asleep mid-melody.
Peep listed Crystal Castles among his touchstones, and their fingerprints show up as harsh, degraded synth texture underneath otherwise pretty melodies — beauty and noise sitting in the same track.
listen forSet the blown-out, shrieking synth line of 'Alice Practice' against the corroded, distorted pads on Peep's 'Save That Shit' — both use noise as an instrument, not an accident.