photo: raph_ph · cc by 2.0 ↗Gorillaz is a virtual band conceived in 1998 by musician Damon Albarn of Blur and artist Jamie Hewlett of the comic Tank Girl, fronted by four animated characters — the vocalist 2-D, bassist Murdoc Niccals, guitarist Noodle, and drummer Russel Hobbs. Their self-titled 2001 debut fused dub and hip-hop rhythms with alternative rock and electronic pop, and the project became a magnet for cross-genre guests, from rappers to soul singers to electronic producers. Across albums like 'Demon Days' and 'Plastic Beach,' Gorillaz turned the mash-up sensibility into a signature, using the cartoon frontline as a frame for restless stylistic collaboration.
De La Soul collaborated directly with Gorillaz, guesting on the Grammy-winning single 'Feel Good Inc.' (2005) — the trio's cackling intro and rap verse open and anchor the track — and again on 'Superfast Jellyfish' (2010). Beyond the credits, the group's playful, sample-collage approach to hip-hop is the kind of loose, genre-agnostic aesthetic Gorillaz built their sound around.
listen forThrow on De La Soul's 'Me Myself and I' right before 'Feel Good Inc.' — hear the same relaxed, conversational rap cadence and off-kilter humor, then catch De La Soul's own voices returning on the Gorillaz track, from the maniacal opening laugh into the verse.
Gorillaz share Talking Heads' habit of grafting funk and global rhythms onto art-rock, topped with a deadpan, sing-speak vocal that hovers just outside the groove rather than belting over it. The nervy, danceable-but-detached feel of the early Gorillaz singles sits in the same lineage of arty pop built on jittery rhythm and cool, conversational delivery.
listen forPlay Talking Heads' 'Once in a Lifetime' and then '19-2000' — both ride a bouncing, motorik funk pulse under a dry, almost spoken vocal, so the song feels propulsive and disoriented at the same time.
The more melancholic, machine-driven side of Gorillaz — a simple synth melody over a steady electronic grid, tender rather than cold — descends from Kraftwerk's melodic electronic pop, which turned drum machines and synthesizers into a vehicle for wistful, humane feeling.
listen forSet Kraftwerk's 'Computer Love' against 'On Melancholy Hill' — both float an aching, unhurried synth line over a patient electronic pulse, making the machine tones sound lonely and warm at once.