photo: prime minister's office · godl-india ↗In June 2026, minutes before walking onstage at Madison Square Garden, Diljit Dosanjh recorded himself saying: "This energy is not mine. It wasn't my energy." He named the men he meant: Amar Singh Chamkila, Gurdas Maan, Kuldeep Manak, and other Punjabi singers who came before him. Born in 1984 in the Punjab village of Dosanjh Kalan, he moved as a child to his uncle's home in Ludhiana, a city he credits with making him fall in love with Punjabi folk music, before Finetone Cassettes released his 2003 debut, Ishq Da Uda Ada. He crossed into Bollywood, then into English-language pop stardom with 2020's G.O.A.T., then into acting the childhood hero he'd once bought on cassette. Headlining Coachella and arenas now, he still frames the whole career as inherited, not invented.
In 2024, Dosanjh played Amar Singh Chamkila — the Ludhiana-scene singer murdered in 1988 — in Imtiaz Ali's Netflix biopic. "I studied Chamkila like a student," he said in a companion documentary, adding that the singer he was playing "was a hundred times better artist than I am. The only similarity is that he loved art, and I love art." Off camera, Dosanjh says he still listens to a full Chamkila album every other day. For the soundtrack, he didn't dub over Chamkila's old records — he re-recorded the songs himself, live, in his own voice.
listen forChamkila wrote and originally sang "Mera Jee Karde" as plainspoken village-mela folk, verses pushed straight at the crowd. Preparing to voice him onscreen, Dosanjh worked, as Rolling Stone India described it, from "the cadence to the free-flowing enunciation" of Chamkila's own recordings — and it shows on the 2024 soundtrack, where he and Parineeti Chopra re-recorded the song live rather than dub to Chamkila's old tape. Listen for how unhurried and unornamented Dosanjh keeps the melody, refusing to modernize a rhythm built for open-air stages.
The Punjabi elder Dosanjh has actually recorded with is Gurdas Maan, who wrote and released "Ki Banu Duniya Da" in 1982 as a plea against forgetting one's roots. When MTV Coke Studio brought them together in 2015 to rework it, with Maan singing lead, Dosanjh called it "a dream come true" — a boyhood hero, not a peer. He has also named a solo Maan ballad, "Peerh Tere Jaan Di," as his own karaoke go-to, proof the fandom outlasts any one professional credit.
listen forMaan's 1982 original is a warm, talky protest song, verses delivered like a lecture from someone who still loves you. The 2015 Coke Studio remake keeps Maan on lead and folds Dosanjh's voice in around him; Dosanjh insisted at the time that "we have not copied it completely... we have added new elements," while keeping the track "recorded in a live setting" to preserve "the soul of the song." Listen for how his voice sits just under Maan's, matching the older man's unhurried cadence rather than pulling it toward pop.
Asked what the first music he ever bought was, Dosanjh didn't name a hit song or a genre — he named a man. "It was a tape cassette of the late music legend Kuldeep Manak," he told Billboard in 2020, calling him "the best Punjabi singer of all time" and a master of the kali, the sung-couplet folk form Manak was known for. Onstage at Madison Square Garden in 2026, reciting the artists he felt he owed the night to, Dosanjh named Manak again, alongside Chamkila and Maan — the debt outlasted childhood.
listen forNo interview ties a specific Dosanjh song to a specific Manak one — this is a first-cassette memory, not a documented cover. But cue Manak's signature 1976 kali "Tere Tille Ton," a folk ballad sung at full, unguarded volume, against Dosanjh's 2015 hit "5 Taara": both push a driving folk vocal to the front of the mix instead of burying it in production, the same full-throated commitment Manak's generation trained into Punjabi singing. The link here is stylistic, not a paper trail.