Boney M. was the Euro-Caribbean vocal group built by German producer Frank Farian in 1976 around Liz Mitchell, Marcia Barrett, Maizie Williams, and dancer-frontman Bobby Farrell, with Farian himself singing most of the male parts in the studio. Blending disco's four-on-the-floor pulse with Caribbean folk, calypso, and reggae source material — reworked psalms, carols, and rocksteady hits recast as Eurodisco — the group became one of the best-selling acts of the era, with ‘Rasputin,’ ‘Daddy Cool,’ and ‘Rivers of Babylon’ still ubiquitous decades on.
Boney M.'s signature 1978 recording took the Melodians' Rastafari psalm-setting and re-cut it as a driving Euro-disco arrangement, keeping the source's call-and-response structure and biblical text almost entirely intact.
listen forListen for how the four-part vocal harmony and rolling bassline still carry a rocksteady lilt underneath the four-on-the-floor disco pulse — the melody and phrasing are lifted nearly whole from the 1970 original.
Belafonte's 1956 arrangement of the Jamaican Christmas song gave Boney M. both a template — a calypso-tinged narrative ballad — and a direct cover source for what became one of the best-selling UK singles of all time.
listen forCompare the lilting melody line in both versions: Boney M. keeps Belafonte's tune and phrasing close to note-for-note before opening it into a disco-choir 'Oh My Lord' coda that isn't in the original.
Producer Frank Farian, who came up through the German beat and rock scene of the 1960s, picked this obscure British mod single as an album cut and then a single — a rare Boney M. cover pulled from guitar rock rather than soul, calypso, or reggae.
listen forNotice how the fuzzed guitar hook of the original survives, but the vocal is pushed forward and smoothed into Boney M.'s disco-choir blend, softening the freakbeat rawness of the source.