photo: monit2004 · cc by 4.0 ↗Arijit Singh, born in Jiaganj in West Bengal and schooled in Hindustani classical music from childhood, first surfaced on the television talent show Fame Gurukul in 2005 before a lean stretch of session work and scratch vocals in the Mumbai film industry. His breakthrough arrived with 'Tum Hi Ho' from Aashiqui 2 in 2013, after which his soft-grained, emotionally direct voice became the default sound of Hindi film romance, dominating Bollywood playback across the 2010s and 2020s. Working over composers' music in language after language, he built his reputation on understated, intimately miked ballads that foreground lyric and feeling over vocal display.
Singh names Kishore Kumar among the playback singers he most loves, and the debt is audible in his romantic register: an unforced, conversational sweetness that leans into melody rather than ornament and lets the tune carry the emotion. Like Kishore, he slides from a near-whispered tenderness to open-throated release without ever sounding like he is straining for effect.
listen forPut on Kishore's 'Mere Sapno Ki Rani' and then Singh's 'Gerua' — hear how both ride a buoyant, wide-open melodic line, the voice smiling through the top of the phrase before gliding down into an intimate murmur on the hook.
Singh has named Hemant Mukherjee as one of his idols, and you can hear it in his taste for deep, unhurried, low-lying melody and his preference for rounded warmth over vibrato-heavy display. Both singers favor a hushed, almost confiding delivery that keeps a large romantic sentiment quiet and close.
listen forPlay Hemant's 'Hai Apna Dil To Awara' and then 'Tum Hi Ho' — notice how each voice sits back in the mix, sustaining long velvety phrases and holding the emotional weight through stillness rather than force.
Singh has called Jagjit Singh one of his idols, and the ghazal maestro's imprint shows in how he handles heartbreak: clear diction, a conversational unfurling of the lyric, and a refusal to over-sing sorrow. Like Jagjit, he trusts a plain, well-shaped melodic line and the meaning of the words to do the work.
listen forFollow Jagjit's 'Tum Itna Jo Muskura Rahe Ho' with 'Channa Mereya' — hear the same measured, speech-like phrasing and the way each line is allowed to land and settle before the next begins.